The latest Marvel film to date is more than a mid-sized follow up to Avengers: Endgame — it establishes Peter Parker as the beating heart of the new MCU.
The comedian’s gentle parody of children’s television boasts charming performances and catchy Broadway-style tunes.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.
Fifteen years after its release, Roland Emmerich’s environmental disaster film is no less corny, but its warnings about climate change ring depressingly more urgent.
From food porn to mumblecore to frightening docs about the global economy, we tell you what to watch on streaming this weekend.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
Joaquin Phoenix and John C. Reilly are a pair of offbeat gunslingers in Jacques Audiard’s unconventional, gorgeously energetic […]