Killer Looks: on Hollywood’s curious true crime casting decisions

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Disney+'s first real time at bat for the MCU on television is a sprightly, experimental series that makes great, if deliberately-paced, use of its premise.

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“Avengers: Endgame” is nothing short of a miracle

The culmination of Marvel's 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.

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“Avengers: Age of Ultron” Blurs the Line Between “Good” and “Good Enough”

With production issues and a shift in the franchise's creative team, Joss Whedon's final MCU entry has just enough to work.

Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus

Marvel’s culmination of their decade-long cinematic experiment stays afloat by sheer virtue of goodwill and charisma, and provides more than enough surprises to keep the bloated narrative from falling apart. This piece was originally posted on Alcohollywood The Marvel Cinematic Universe has spent the last decade building up a sprawling, interconnected world of comic book ... Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus

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Killer Looks: on Hollywood’s curious true crime casting decisions

Not even Sam Raimi scares can save Doctor Strange in the Multiverse of Madness

“WandaVision” starts slow, but bodes well for the MCU’s future on TV

“Avengers: Endgame” is nothing short of a miracle

“Avengers: Age of Ultron” Blurs the Line Between “Good” and “Good Enough”

Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus