Joker’s box office take this opening weekend is nothing to laugh at, as the DC Comics experiment paid off handsomely for Warner Bros.
Stephen King and George Romero’s ode to creepy comic anthologies is a schlocky, joyous riot.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
AMC’s droll comic book adaptation saddles up for an apocalyptic final season whose juvenile antics bring diminishing returns.
Karl Urban and crew strike back at asshole superheroes in Amazon’s grimly atonal series.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.
A look back at the hype, the controversies & the music of Tim Burton’s take on the Caped […]
Despite an amusing turn by David Harbour, the revival of the hit film series is a disappointing mess.
The DCEU continues its upward trajectory with a flashy, fun, and surprisingly heartfelt teen superhero story.
C2E2 2019 kicks off in earnest with panels on black horror, graphic novels and SF, as well as a glimmering, Vegas-style showcase from John Barrowman.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
Tim Burton’s superhero sequel saw the endlessly strange auteur run away with big studio money to make the most relentlessly weird comic book film ever.
The actor behind the most mysterious member of Netflix’s Umbrella Academy talks about life as a superpowered ghost, and what might await him in season 2.
Netflix’s latest original series follows a dysfunctional family of superheroes fighting the apocalypse – and each other.
Ugly, juvenile, and drop-dead boring, Netflix’s comic book adaptation might be the running for worst of the year.
Like a hammer through a window, Glass shatters whatever goodwill M. Night Shyamalan had once recovered.