There’s a lot to like in Amazon’s new animated series, but the R-rated superhero antics have a tough time translating from page to screen.
comic book
It remains to be seen if Marvel’s latest TV spinoff can capture audiences’ attention as well as its predecessor.
The second season of Netflix’s comic-book adaptation sends its fractured superhero family into the past, to mixed results.
Gina Prince-Bythewood’s nuanced, layered comic book actioner finds character among its expert choreography.
Netflix’s manga-based action show is light on sense but heavy on stylish fun.
The black-sheep show of the DC Universe returns for a second season even more confident in its quirks.
Love it or hate it, Joel Schumacher’s first take on the Caped Crusader was a neon-lit spectacle. Two of our writers debate its flaws & merits.
The latest Marvel film to date is more than a mid-sized follow up to Avengers: Endgame — it establishes Peter Parker as the beating heart of the new MCU.
Taika Waititi’s irreverent revamp of the Thor series, Thor: Ragnarok, manages to weave some much-needed criticism of imperialism among the gags.
The culmination of Marvel’s 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.
Ryan Coogler’s superhero film not only salvages the colonialist origins of the comic’s imagery, it reclaims them for a Black audience.
James Gunn’s interstellar hangout movie is weird and messy, but deeply, admiringly focused on its characters and an earnest emotional core.
It’s not perfect, but the Russo brothers’ conspiracy-thriller take on the MCU turned its eye inward to the more explicitly political.
Thor’s second standalone adventure buckles under the weight of too many characters and a confused directorial hand.
An unlikely team of heroes could have been a cliché, but Joss Whedon’s first foray into the MCU worked because it toyed with its moving parts.
Chris Evans’ first go-round with the stars and stripes remains one of Marvel Phase One’s most enduring outings.
Kenneth Branagh’s Shakespearean tale of a godlike alien shows the cracks in Marvel’s firmament amid its immature protagonist.
Jon Favreau’s 2010 followup to the first film in the Marvel Cinematic Universe also shows the weaknesses of worldbuilding over structure.