Tales of poverty, paranoia, and adolescences framed by tragedy cap off SXSW’s Narrative Feature Competition.
Amazon’s adaptation of the Roberto Saviano novel is far too passive and jumbled to capture your interest.
Brandon Cronenberg’s second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
A solid first half and great work from Andrea Riseborough aren’t quite enough to make up for Zeina Durra’s Egyptian indie.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.
This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human […]