Robert Altman’s swan song remains a mesh of spontaneity and character detail further lifted by its ensemble cast.
Ten years ago, Paul Feig’s uproarious comedy centered the lives and relationships of women in revolutionary ways.
Mike Rianda’s dizzying debut features vibrant, refreshing animation and oodles of style, even as its dysfunctional family dynamics ring a little familiar.
Maya Rudolph narrates a dizzying, nostalgic trip around the world to the cuisines we all miss right now.
Despite getting off on the wrong foot, Sam Mendes’s oft-forgotten dramedy remains a salient look at 2000s anxieties as often seen onscreen.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Olivia Wilde’s debut is a gut-busting comedy that celebrates the power of female friendships.
Amy Poehler’s directorial debut is filled with hilarious women, but this attempt at a female Sideways doesn’t quite hit the right notes.