The Roys slash and burn old and new media alike as they contemplate their uncertain futures.
2019
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
This English-language remake of the 2006 Danish drama stops short of having anything interesting to say about its privileged protagonists.
David Fincher’s haunting, revolutionary Netflix show returns for a sophomore glimpse into the dark core of the American soul.
Kevin Costner growls out philosophical homilies in this treacly melodrama about a dog teaching his master how to love.
Johannes Roberts’ sequel to 2017’s stripped-down aquatic thriller is packed to the gills with sharktastic mayhem.
The latest HBO documentary highlights the peaceful, green practice of alternative funerals.
The stars of Jennifer Kent’s harrowing colonial revenge film sit down to talk about finding their characters amidst historical hell.
Danny McBride’s latest collaboration with Jody Hill and David Gordon Green doesn’t quite keep the faith.
Richard Linklater’s latest removes the mystery from the Marie Semple novel, but ends up a flawed but welcome reflection on aging and creativity.
Lee Eisenberg and Gene Stupnitsky’s edgy tween comedy finds an unexpected sweetness among the swears.
It’s a little Sundance-y, but Tyler Wilson and Michael Schwarz craft a smart, balanced indie that avoids the usual pitfalls of the way movies tend to treat disability.
Gurinder Chadha’s heartwarming tale of a boy and The Boss fumbles some chords, but charms nonetheless.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
HBO’s cuttingly dark upper-crust family drama carves new depths of capitalist depravity in the season premiere.
In a year of TV series reaching their much-vaunted conclusions, Orange Is the New Black went out with a seventh season filled with drum-banging polemic.
It may be prefaced by a brilliant, heartfelt short, but Sony Pictures Animation’s latest, like its adaptation, is a huge waste of time.
Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
