TRIGGER’s debut feature boasts a bevy of color palettes and visual styles that come to life in the new home release from Shout! Factory.
The latest Marvel film to date is more than a mid-sized follow up to Avengers: Endgame — it establishes Peter Parker as the beating heart of the new MCU.
The culmination of Marvel’s 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.
Beniamino Barrese’s new doc is an intriguing dichotomy that lacks enough self-awareness and comprehension of its themes.
Ladj Ly’s feature debut mines neorealism to solid effect, but its contrivances prevent it from making a fully-realized social comment.
Sam Mendes’ WWI epic is an astounding technical achievement, but loses its soul on the way to razzle-dazzle.
Apollo 11 composer Matt Morton discusses how he used period-appropriate synthesizers to craft a tense score to mankind’s first walk on the moon.
Destin Daniel Cretton’s legal drama has its moments of impact and an impressive cast, but it’s far too lopsided to stick the landing.
Karim Aïnouz’s latest is an ambitious adaptation of two women separated by the patriarchy and the loneliness of family.
The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
From the first time we meet Baby Yoda to the final trek of the Razor Crest, we look back at the highs and lows of The Mandalorian’s first season.
Sam Mendes powers his leading ladies to metatextual heights in his first Bond outing.
“Sesame Street” and “Co-op” songwriter Eli Bolin explains how he crafted the catchy, kid-friendly tunes for “John Mulaney and the Sack Lunch Bunch”.
We cross-over with the Debating Doctor Who podcast to figure out which Christmas Special (and their stars) deserves a spot on the Hall of Faces.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
Fernando Meirelles explores the complexities of a church in transition in a vibrant, funny film with two divine lead performances.
The director of Wild Rose and The Aeronauts sits down to talk about his high-flying historical adventure, now available on Amazon Prime Video.
Netflix’s adaptation of the popular fantasy novel series is a puzzling mess that brings little new to the table except Henry Cavill’s wig.