The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
2019
Dame Judi Dench gives a commanding performance as always, but this time-hopping spy thriller suffers from tepid, made-for-BBC delivery.
Brienne gets knighted, Arya checks something off her bucket list, and Dany reckons with Jon’s parentage in another leadup to Game of Thrones’ big battle.
Jennifer Kaytin Robinson’s unconventional combo of rom-com, BFF dramedy and a million other genres charms thanks to Gina Rodriguez and Lakeith Stanfield.
Clint sits down with the producers of Knock Down the House, The Infiltrators and Won’t You Be My Neighbor? to find out what makes a great doc.
A Holt/Kevin-centric episode uncovers new depths for the fan favourite couple.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Adrianne Palicki pulls double duty in an Ed-Kelly episode that explores what could have been, and what might still be.
Max Minghella’s directorial debut is a neon-dredged pop curio that features a one-note script that doesn’t exactly serve Elle Fanning’s game lead turn.
Our monthly TV podcast debates which character from David Chase’s seminal mob drama wins out over the rest.
Molly Shannon and Amy Seimetz shine in this warm, tender, humanizing portrayal of the famously enigmatic poet.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
Chicago’s documentary film festival comes to a close with docs on the war in Ukraine and a cute little farm in SoCal.
With “Winterfell”, Game of Thrones starts its final season with a reorienting premiere, complicating alliances and setting up conflicts.
Environmentalism, culture clash, and Satanism reign in Day 3 of Chicago’s doc festival.
Day 2 of Chicago’s documentary film festival displays films about iconic journalist Mike Wallace and the trials and tribulations of a family struggling to provide private EMT care in Mexico City.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.