Perry finally puts on his legal hat more than halfway through the season in another episode struggling through filler.
Netflix’s latest reality show is a heartwarming, trailblazing ode to neurodivergent romance.
Season 2 of TNT’s Victorian era crime thriller turns the spotlight on Dakota Fanning & an eerie plot about kidnapped infants.
Frank Miller’s adaptation of Arthurian legend is filled with sumptuous fantasy visuals, but there are gaps in the girl-power twist on the myth.
The heartthrob swaggers across the globe in full Daddy mode in Netflix’s latest bit of disposable travel-doc fluff.
Peacock’s loose adaptation of Aldous Huxley’s classic looks nice, but is empty under the surface.
The Friends alum returns to television with a smart, if disposable, slacker-spy comedy.
The first half of the first season comes with a reckoning for E.B. and Perry building a wild theory for the death of George Gannon.
Apple TV+’s latest kids series is a cloying, over-familiar teen show that tries a little too hard to be hip.
Perry Mason crams a whole lot of story into Chapter Three, almost to its detriment.
Pat Kondelis’ docuseries about a sexual assault allegation blends information with ambiguity but blurs over important information in the process.
Finally out from under the shadow of its filmic inspiration, the Amazon series treads new ground in its second season.
Netflix’s manga-based action show is light on sense but heavy on stylish fun.
Netflix and producer Pablo Larraín offers a modest glimpse of quarantine life that can’t escape the privilege of its authors.
The long-running true crime program gets a reboot to examine more murders in a slicker, but emptier, package.
The iconic young adult book series comes to vivid, relatable, family-friendly life.
HBO’s gritty new gumshoe is already being eclipsed by his more interesting supporting players in episode two.
Germany’s surprise hit time-bending soap opera returns & is more out there than ever before.