The Michael Greyeyes-starring Sundance debut announces Lyle Mitchell Corbine Jr. as an exciting new filmmaker.
Category Archive: Movies
Coverage of everything hitting the big screen, from big-budget blockbusters to independent arthouse fare.
Daniel Kaluuya is sensational as freedom fighter Fred Hampton in Shaka King’s insightful sophomore feature.
The gimmick to Kevin Macdonald’s worldwide snapshot of 24 hours has lost its novelty this deep into the social media age.
Nicolas Cage & Sion Sono team up for an incoherent Samurai-Western-Mad Max homage-something or other.
Joel Schumacher’s well-intentioned buddy dramedy puts Philp Seymour Hoffman in the role of a trans woman, to outdated result.
Zoe Lister-Jones and Daryl Wein usher in the end of the world with a winsome indie comedy about […]
Marilyn Agrelo’s documentary soaks you in the warm bath of nostalgia for Jim Henson’s long-running Muppet masterpiece.
Parker Hill and Isabel Bethencourt’s observational documentary takes us through the complexities of awkward teen girlhood.
Ninja Thyberg’s tale of a woman’s attempt to make it in the adult film industry is a feature debut that doesn’t pull any punches.
Carlson Young writes, directs and stars in a baffling horror-fantasy about a young woman who disappears into an elaborate alternate universe
James Ashcroft’s hostage horror is nought but bland, sour sadism.
Kourosh Ahari’s psychological thriller mines anxieties of Iranian-Americans living in the States for bone-chilling effect.
Theo Anthony’s new documentary threads together film theory, politics, and philosophy to great success.
Fran Kranz’s debut is an emotional whopper of a drama, a vivid actor’s exercise with incredible performances and passionate ruminations on the aftereffects of tragedy.
Ahmir “Questlove” Thompson’s documentary about the Harlem Cultural Festival is insightful and loving.
Madeleine Sims-Fewer and Dusty Mancinelli’s rape revenge thriller tests the boundaries of narrative and sensibility to gruesome effect.
Prano Bailey-Bond makes her debut at Sundance with a chilling ode to the video nasty, featuring a killer turn from Niamh Algar.
Sean Ellis’ werewolf period piece is a humorless medley of conflicting approaches that somehow ends up dull.