The Latest Movie Reviews (Page 100)

Coverage of everything hitting the big screen, from big-budget blockbusters to independent arthouse fare.

The Endless: Justin Benson and Aaron Moorhead on Lovecraft, Worldbuilding and the Thrills of Indie Filmmaking

Justin Benson and Aaron Moorhead discuss the high-concept suspense of their microbudget indie thriller The Endless, its connections to previous films, and the freedom of working on both sides of the camera. This piece was originally posted on Alcohollywood Since the modest release of their mind-bending 2012 debut Resolution, indie horror filmmakers Justin Benson and ... The Endless: Justin Benson and Aaron Moorhead on Lovecraft, Worldbuilding and the Thrills of Indie Filmmaking

Lean on Pete Review: A Boy and His Horse Search for Home, Find Each Other

Andrew Haigh’s heartbreaking, poignant drama is a testament to our deeply human desire to belong, told through a nuanced performance by Charlie Plummer. This piece was originally posted on Alcohollywood If you were to be told that one of the most heartfelt, poignant films of the year was – at its core – a story ... Lean on Pete Review: A Boy and His Horse Search for Home, Find Each Other

Truth or Dare Review: Blumhouse’s Latest Delivers Modest Sleepover Scares

The latest microbudget spook-em-up from Blumhouse Productions is long on dares and short on scares. This piece was originally posted on Alcohollywood Hoping to cash in on the success of the Ouija film series, Blumhouse Productions (Get Out, The Purge, The Shallows) has given us Blumhouse’s Truth or Dare, the latest in a trend of ... Truth or Dare Review: Blumhouse’s Latest Delivers Modest Sleepover Scares

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You Were Never Really Here Review: A Masterwork of Brutal Grindhouse Poetry

Lynne Ramsay follows We Need to Talk About Kevin with another masterwork on the cyclical traumas of violence, sporting a poetically grotesque performance from a haggard Joaquin Phoenix at its center. This piece was originally posted on Alcohollywood Between Ratcatcher, Morvern Callar and We Need to Talk About Kevin, Scottish filmmaker Lynne Ramsay has cemented ... You Were Never Really Here Review: A Masterwork of Brutal Grindhouse Poetry

Chappaquiddick Review: Tragedy Plus Time, Minus Insight

John Curran’s ill-timed retelling of Ted Kennedy’s infamous car accident in the Chappaquiddick is dour and more than a little politically murky. This piece was originally published on Alcohollywood For a film about lies and secrecy, Chappaquiddick is bizarrely preoccupied with getting its story straight. Director John Curran and screenwriters Taylor Allen and Andrew Logan seem ... Chappaquiddick Review: Tragedy Plus Time, Minus Insight

News

HOW TO TALK TO GIRLS AT PARTIES Trailer: John Cameron Mitchell’s Boy-Meets-Alien-Girl Story

Watch the latest trailer for A24 and Film 4’s boy-meets-alien punk romance, directed by John Cameron Mitchell and adapted from the Neil Gaiman short story. This piece was originally published on Alcohollywood Romance can be hard, especially when you’re a punk and she’s an alien. Adapted from the Hugo-nominated short story of the same name ... HOW TO TALK TO GIRLS AT PARTIES Trailer: John Cameron Mitchell’s Boy-Meets-Alien-Girl Story

REVIEW: Isle of Dogs

Wes Anderson’s latest stop-motion confection is as meticulously constructed and dryly sweet as his previous filmography, even with the extremely complicated questions it raises about appropriation and race. This piece was originally posted on Alcohollywood By now, the Wes Anderson brand is firmly established to the point where even parodying him is old hat. Everyone ... REVIEW: Isle of Dogs

REVIEW: Journey’s End

Sam Claflin, Asa Butterfield, and Paul Bettany deliver terrific performances in a thought-provoking, theatrical World War I drama. This piece was originally posted on Alcohollywood Journey’s End doesn’t match the description of a typical war movie. In fact, scenes of actual warfare make up, I reckon, fewer than five minutes of the film’s runtime. We only ... REVIEW: Journey’s End

REVIEW: The Death of Stalin

Veep creator Armando Iannucci brings his acid tongue and razor-sharp wit to this Soviet-era political farce, aided by an impeccable ensemble cast. This piece was originally posted on Alcohollywood The Death of Stalin succeeds wonderfully as a calamitous farce, wherein every character falls victim to their own overly meticulous plotting. Every minor detail is chewed on, ... REVIEW: The Death of Stalin

Interviews

Rogers Park: Director Kyle Henry on Capturing His Neighborhood and the Pressures of Mid-Life

Kyle Henry, director of the compelling, hyperlocal Chicago drama Rogers Park discusses the appeal of his home neighborhood and the need to tell stories that reflect his experiences. This piece was originally posted on Alcohollywood For Chicagoans, films that actually take place in Chicago can be a bit of a mixed bag. You can usually ... Rogers Park: Director Kyle Henry on Capturing His Neighborhood and the Pressures of Mid-Life

REVIEW: Black Panther

Ryan Coogler’s Afrofuturist take on the Marvel Universe is a refreshingly unique, stylish and thematically rich superhero flick, breathing fresh air into the Marvel mythos. This piece was originally posted on Alcohollywood What can I say that hasn’t been said a million times over already by critics more numerous and qualified than I? More than ... REVIEW: Black Panther

REVIEW: A Fantastic Woman

A pioneering work of trans-centric filmmaking, Sebastián Lelio’s airy, dreamlike direction anchors a fearless central performance from Daniela Vega. This piece was originally posted on Alcohollywood With trans issues being at the forefront of the cultural moment, it’s no surprise that cries for representation in film extend to trans and non-binary actresses as well. Sure, ... REVIEW: A Fantastic Woman

REVIEW: Fifty Shades Freed

To no one’s surprise, the third and final adaptation of E.L. James’ bodice-rippers promises steam, but delivers vapor. This piece was originally posted on Alcohollywood The Fifty Shades of Grey franchise is at once one of the most baffling smash hits in pop culture, and also the most understandable. E.L. James, adapting her AU Twilight ... REVIEW: Fifty Shades Freed

REVIEW: Before We Vanish

Kiyoshi Kurosawa’s ponderous, effortlessly endearing alien-invasion dramedy filters the strangeness of modern life through its trio of alien protagonists. This piece was originally posted on Alcohollywood The Japanese are no strangers to the quirky, off-kilter and unconventional when it comes to their cinema, especially in their sci-fi efforts. Enter Kiyoshi Kurosawa, director of the J-horror ... REVIEW: Before We Vanish

The Astrologer is the Forgotten Cult Hit You’ve Been Waiting For

The budding midnight-movie appeal of Craig Denney’s impossible-to-find THE ASTROLOGER heralds the return of cult cinema’s mystique. This piece was originally posted on Alcohollywood In the age of the Internet, the era of the true cult film is mostly over – even the most obscure grindhouse dreck or direct-to-VHS exploitation schlock has a thoroughly-annotated Wikipedia ... The Astrologer is the Forgotten Cult Hit You’ve Been Waiting For

REVIEW: God’s Own Country

Francis Lee’s tender, heartfelt debut film is as sweet a love story as you’ll ever see, bolstered by two terrific young performances and Lee’s sensitive, deliberate script. This piece was originally posted on Alcohollywood In a year (and awards season) where Luca Guadagnino’s lovely Call Me By Your Name fills the ‘queer love story’ quota ... REVIEW: God’s Own Country

REVIEW: 42 Grams

Jack C. Newell’s fly-on-the-wall doc about a Chicago chef on the rise effortlessly blends haute cuisine food porn with a tale of chef as temperamental artist. This piece was originally posted on Alcohollywood Four years ago, Jake Bickelhaupt was just an up-and-coming chef running an illegal restaurant, Sous Rising, out of the Chicago apartment he ... REVIEW: 42 Grams

REVIEW: Mom and Dad

Brian Taylor’s devious intergenerational murder-comedy is just as crazy as the delightfully wacko Nicolas Cage performance at its center. This piece was originally posted on Alcohollywood Nicolas Cage is an acting maniac by more than one definition – he takes on so many projects you’d think he had a castle to pay off (spoiler: he ... REVIEW: Mom and Dad

REVIEW: Film Stars Don’t Die in Liverpool

Despite an assured and confident lead performance from Annette Bening, this treacly biopic of Gloria Grahame’s final days offers little true insight. This piece was originally posted on Alcohollywood With awards season dying down, it’s time for the also-rans. January and February are known as ‘dump months,’ the time of the year where studios dump ... REVIEW: Film Stars Don’t Die in Liverpool

REVIEW: Paddington 2

Paul King’s delightful, charming followup to the first Paddington is a lovely ode to family, friendship, ingenuity – and, of course, marmalade. This piece was originally posted on Alcohollywood In a world where Minions and Lightning McQueen dominate the attention of most children in America, it’s lamentable that Paddington isn’t more of a thing here. ... REVIEW: Paddington 2

REVIEW: Phantom Thread

This piece was originally posted on Alcohollywood Paul Thomas Anderson’s sumptuous, elegant psychodrama about fashion, obsession and ego (allegedly) gives Daniel Day-Lewis’ career a fitting swan song. Reynolds Woodcock (Daniel Day-Lewis) is a man of routine, head of one of the great haute couture houses in 1950s London. His life is as immaculately controlled and ... REVIEW: Phantom Thread

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