Interviews Charlie Clouser on keeping the “Saw” games fresh with “Spiral” The longtime composer talks about his tenure on the long-running horror franchise, and how its latest entry changes the game.
Podcasts Joseph Trapanese on the sonic fantasias of “Shadow and Bone” The composer breaks down the sprawling score for Netflix's latest big-budget fantasy series.
Podcasts Henry Jackman on the musical canvas of “Falcon and the Winter Soldier” The composer returns to talk about returning to the Marvel Universe and expanding on his themes for the latest Disney+ series.
Interviews Gazelle Twin and Max de Wardener on the sounds of “The Power” The avant-garde composing duo discuss their collaboration and building the unsettling soundscape of the Shudder original The Power.
Interviews Shedding the skin of Dominik Scherrer’s score for “The Serpent” The composer talks about the complexities of thriller scoring and the elusive, '70s-tinged score for Netflix's latest true crime docudrama.
Interviews Composer Kevin Kiner on closing out “Star Wars: The Clone Wars” The veteran composer talks to us about his continuing the legacy of John Williams' scores for Star Wars for The Clone Wars' final season.
Interviews Jermaine Stegall on giving voice to Zamunda in “Coming 2 America” The Coming 2 America composer talks about finding the sound of Zamunda and the need for opportunities for Black composers.
Interviews A conversation with “The World to Come” composer Daniel Blumberg The avant-garde musician talks about his first foray into the world of feature film scoring, and the experimental, yearning score that followed.
Interviews How Henry Jackman crafted the experimental score for “Cherry” The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers' latest film.
Interviews Emile Mosseri on capturing amorphous time in his score for “Minari” The composer discusses the film's long road to release, and the airiness of his score to Lee Isaac Chung's mesmerizing drama.
Interviews Austin Brown logs on to talk about the music of “PVT CHAT” The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie's camgirl drama.
Interviews Assembling the Black music soundscapes of Steve McQueen’s “Small Axe” Small Axe music supervisor Ed Bailie talks to us about filling Steve McQueen's five-part anthology with the grooviest, most authentic tunes.
Interviews Ilan Eshkeri on setting the Earth to music in “A Perfect Planet” The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
Interviews Branford Marsalis on finding the sound of “Ma Rainey’s Black Bottom” The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix's latest awards contender.
Interviews The composers of “Ammonite” on putting forbidden romance to music The composer duo talks about their years-long collaboration and the sparse, airy score to Francis Lee's queer romance.
Podcasts Paul Leonard-Morgan on “My Psychedelic Love Story” and composing during COVID The composer returns to the podcast to discuss his third collaboration with Errol Morris and the challenges of recording scores during a pandemic.
Podcasts Sean Durkin and Richard Reed Parry on scoring “The Nest” The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.
Podcasts “I Am Greta” composers on climate change and putting Greta Thunberg’s mind to music Rebekka Karijord and Jon Ekstrand talk about the complex process behind scoring Hulu's Greta Thunberg documentary.
Podcasts Andrew Carroll on the psychedelic sounds of “Lodge 49” and his new EP The LA-based musician reminisces on his work on the idiosyncratic AMC dramedy, and how its psychedelic sounds reflect on his new solo work.
Podcasts I’m thinking of composing things: Jay Wadley on the score for “I’m Thinking of Ending Things” The composer for Charlie Kaufman's latest talks to us about dream ballets, the strangeness of small towns, and the business of film composing.
Interviews Necessity is the mother of invention: Tamar-kali on “Shirley” The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.