Gena Radcliffe (Page 17)
Gena Radcliffe is the co-host of the award-winning (not really) horror podcast Kill by Kill, and has also written for F This Movie, Anatomy of a Scream, Daily Grindhouse, MovieJawn, and Grim magazine (although the Spool is her pride and joy). Her pitch graveyard and "pieces that don't really belong anywhere else" can be found at genawatchesthings.substack.com, and she spends entirely too much time on Instagram, BlueSky & TikTok under @genadoesthings.

Twisted Pair Review: Neil Breen’s Latest Exercise in Baffling Anti-Cinema

The deeply strange Neil Breen returns with an even more deeply strange entry in his filmography of homespun, barely-coherent ‘psychological thrillers.’ This piece was originally posted on Alcohollywood One doesn’t review a Neil Breen movie so much as ponder its existence. It’s not even a question of how it got made—we know it was financed ... Twisted Pair Review: Neil Breen’s Latest Exercise in Baffling Anti-Cinema

Unraveling pop-culture one thread at a time
The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum

This piece was originally posted on Alcohollywood As horror continues its gradual moving away from traditional monsters and slashers to rawer, more unsettling scares that are COMING FROM INSIDE THE HOUSE, we can look forward to more internet discourse about whether a movie qualifies as “horror.” This requires the sort of pedantry that is the ... Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum

All About Nina Review: Mary Elizabeth Winstead Struggles to Succeed in the Standup Boys’ Club

Mary Elizabeth Winstead lashes back at the stiflingly male-dominated world of standup comedy in Eva Vives’ acerbic, stunning debut. This piece was originally posted on Alcohollywood “Isn’t it great how all of the sudden they know that we’re funny?” comedy club owner and former stand-up Pam (Pam Murphy) tells her younger counterpart, Nina Geld (Mary ... All About Nina Review: Mary Elizabeth Winstead Struggles to Succeed in the Standup Boys’ Club

The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence

Netflix’s adaptation of the classic Shirley Jackson horror novel boasts a brilliant cast and some intriguing scares, but disappointingly reduces the book to a spooky soap opera. This piece was originally posted on Alcohollywood To ask “why was this made” when it comes to a remake or reboot is to be rhetorical – the answer ... The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence

BoJack Horseman Season 5 TV Review: As Devastating and Bleakly Funny As Ever

Netflix’s bittersweet tale of talking animals and the vagaries of celebrity returns for a thoughtful fifth season filled with even more emotional depth and acerbic wit. This piece was originally posted on Alcohollywood Television’s best series about depression returns for a fifth season, and with some stark reminders about how doing the right thing and ... BoJack Horseman Season 5 TV Review: As Devastating and Bleakly Funny As Ever

Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. This piece was originally posted on Alcohollywood Trauma appears to be the monster in Sonny Mallhi’s Hurt, but things aren’t exactly as they seem. While the Blumhouse-produced thriller maintains an almost uncomfortable sense of tension, it suffers ... Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Andy Milton’s atmospheric haunted house film is inscrutably scary and beautifully lit, balancing bone-chilling existential horror with compelling domestic drama. This piece was originally posted on Alcohollywood Here it is, 2018’s version of The Witch and It Follows, a horror movie in which half its audience will appreciate its slow, moody burn, and the other ... Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Fantasia 2018: Lifechanger is a Bleak & Eerie Story About Identity & Never Letting Go

Justin McConnell’s lean, fascinating horror-drama blends an intriguing structure with some novel investigation into the psychology of its shape-shifting horror monster. This piece was originally posted on Alcohollywood There’s stalking, and then there’s what the narrator of Lifechanger does. Canadian horror-drama from writer-director Justin McConnell, it jumps right into the action right away, with Drew, ... Fantasia 2018: Lifechanger is a Bleak & Eerie Story About Identity & Never Letting Go