Clint Worthington (Page 26) | The Spool

Clint Worthington (Page 26)

Clint Worthington is the founder and editor-in-chief of The Spool, as well as one of the founders of the website/podcast Alcohollywood in 2011. He is also a Senior Writer at Consequence of Sound, as well as the co-host/producer of Travolta/Cage. You can also find his freelance work at IndieWire, UPROXX, Syfy Wire, The Takeout, and Crooked Marquee.

Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity

The writer/director of Fantasia-debuting horror film Lifechanger talks about the origins of the project and getting into the mind of his film’s main monster. This piece was originally posted on Alcohollywood Lifechanger is a sneakier, more fascinating thriller than it might seem at first glance – the tale of a man doomed to feed off and ... Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity

Fantasia 2018: Blue My Mind Is a Different Kind of Mermaid Story

Lisa Brühlmann’s Swiss coming-of-age mermaid tale is admirably shot and performed, but inadvertently hews too closely to similar teen-horror dramas of recent years. This piece was originally posted on Alcohollywood It’s almost a shame that Lisa Brühlmann’s Blue My Mind came out so close on the heels of Julia Ducournau’s Raw. One of the freshest, ... Fantasia 2018: Blue My Mind Is a Different Kind of Mermaid Story

Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic

Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. This piece was originally posted on Alcohollywood Nobuhiko Obayashi is one of Japan’s veteran suppliers of the weird and fantastical – despite a career spanning nearly forty films, his most famous international export is 1977’s kaleidoscopic, ... Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic

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All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

This piece was originally posted on Alcohollywood (This review and interview originally ran as part of On Tap’s previous run as its own separate feed. We’re re-running it here in conjunction with All the Queen’s Horses’ release on Netflix.) This week for our On Tap minisode, Clint discusses the new indie doc from Kartemquin, All the ... All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

Four Crazy Horror Flicks We Want to See at Fantasia

This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human condition, and solemn documentaries about Serious Issues, Cannes and Sundance have you covered. Want to see blood, gore, sleaze, and Nicolas Cage getting in a chainsaw fight? You go to Fantasia. Fantasia is a genre film festival ... Four Crazy Horror Flicks We Want to See at Fantasia

Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut

Boots Riley’s wild feature film debut throws racial politics, consumerism, and magical realism in a blender, making for a comedy that’s as unpredictable as it is hilarious. This piece was originally posted on Alcohollywood Capitalism is a hell of a drug – it lulls you in with the promise of wealth and success, and all ... Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut

Ant-Man and the Wasp Review: Marvel’s Latest Shrinks the Stakes

Marvel’s first placeholder till the next Infinity War is a more assured caper comedy than the first Ant-Man, but it’s almost too lightweight to make a real impression. This piece was originally posted on Alcohollywood When the credits rolled for Avengers: Infinity War, we all walked out of the theater thinking the same thing: We ... Ant-Man and the Wasp Review: Marvel’s Latest Shrinks the Stakes

Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff

Drew Pearce’s pulpy near-future potboiler about a futuristic hotel/hospital for bad guys lets its stacked cast have fun amongst some shaky plotting. This piece was originally posted on Alcohollywood Grungy, retro sci-fi seems to be making a comeback the last few years – cyberpunk potboilers whose scripts wouldn’t be out of place in a direct-to-video ... Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff

Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family

A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining into pure cinematic nightmare fuel. This piece was originally posted at Alcohollywood From its opening frames, Hereditary digs its claws into you and doesn’t let go. A long, slow tracking shot pans across the workroom of Annie ... Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family

INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade. After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

Solo: A Star Wars Story Review: Never Tell Disney the Odds

It’s messy and more than a little overlong, but Disney’s latest Star Wars prequel manages to coast by on just enough charm to work. This piece was originally posted on Alcohollywood In Disney’s grand experiment to give us one or two new Star Wars movies every year until we die or the universe expires from ... Solo: A Star Wars Story Review: Never Tell Disney the Odds

Deadpool 2 Review: Ryan Reynolds Returns for More Quips, Gore and Gags

The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – but it’s only a slight improvement over the sophomoric original. This piece was originally posted on Alcohollywood While Marvel Studios seems to have solved the equation for how to make great (or, at their worst, pretty passable) ... Deadpool 2 Review: Ryan Reynolds Returns for More Quips, Gore and Gags

RBG Review: A Comprehensive Portrait of American Law’s Great Dissenter

CNN Films’ documentary about the feminist pioneer (and progressive meme) is a straightforward but comprehensive overview of the iconic lawmaker’s life of women’s rights activism. This piece was originally posted on Alcohollywood At eighty-four years of age, Supreme Court Justice Ruth Bader Ginsburg shows no signs of stopping or slowing down: she works out with ... RBG Review: A Comprehensive Portrait of American Law’s Great Dissenter

Disobedience Review: A Mesmerizing Tale of Religion and Forbidden Love

Sebastian Lelio’s sensitive, multifaceted adaptation of Naomi Alderman’s novel is a beautiful exploration of the restrictive nature of traditional communities, anchored by a trio of heart-stopping performances. This piece was originally posted on Alcohollywood Chilean director Sebastián Lelio is a master of arthouse empathy – his Oscar-winning film A Fantastic Woman, about the struggles of a ... Disobedience Review: A Mesmerizing Tale of Religion and Forbidden Love

Downrange Review: Shudder’s Roadside Sniper Thriller Misses the Mark

The latest from Japanese horror schlockmeister Ryuhei Kitamura (Midnight Meat Train) makes a tedious mess out of its stripped-down, gory premise. This piece was originally posted on Alcohollywood On a lonely stretch of road in the middle of nowhere, a tire blows out, stranding six twentysomethings by the roadside in an isolated stretch of California ... Downrange Review: Shudder’s Roadside Sniper Thriller Misses the Mark

Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus

Marvel’s culmination of their decade-long cinematic experiment stays afloat by sheer virtue of goodwill and charisma, and provides more than enough surprises to keep the bloated narrative from falling apart. This piece was originally posted on Alcohollywood The Marvel Cinematic Universe has spent the last decade building up a sprawling, interconnected world of comic book ... Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus

The Endless: Justin Benson and Aaron Moorhead on Lovecraft, Worldbuilding and the Thrills of Indie Filmmaking

Justin Benson and Aaron Moorhead discuss the high-concept suspense of their microbudget indie thriller The Endless, its connections to previous films, and the freedom of working on both sides of the camera. This piece was originally posted on Alcohollywood Since the modest release of their mind-bending 2012 debut Resolution, indie horror filmmakers Justin Benson and ... The Endless: Justin Benson and Aaron Moorhead on Lovecraft, Worldbuilding and the Thrills of Indie Filmmaking

Lean on Pete Review: A Boy and His Horse Search for Home, Find Each Other

Andrew Haigh’s heartbreaking, poignant drama is a testament to our deeply human desire to belong, told through a nuanced performance by Charlie Plummer. This piece was originally posted on Alcohollywood If you were to be told that one of the most heartfelt, poignant films of the year was – at its core – a story ... Lean on Pete Review: A Boy and His Horse Search for Home, Find Each Other

You Were Never Really Here Review: A Masterwork of Brutal Grindhouse Poetry

Lynne Ramsay follows We Need to Talk About Kevin with another masterwork on the cyclical traumas of violence, sporting a poetically grotesque performance from a haggard Joaquin Phoenix at its center. This piece was originally posted on Alcohollywood Between Ratcatcher, Morvern Callar and We Need to Talk About Kevin, Scottish filmmaker Lynne Ramsay has cemented ... You Were Never Really Here Review: A Masterwork of Brutal Grindhouse Poetry

HOW TO TALK TO GIRLS AT PARTIES Trailer: John Cameron Mitchell’s Boy-Meets-Alien-Girl Story

Watch the latest trailer for A24 and Film 4’s boy-meets-alien punk romance, directed by John Cameron Mitchell and adapted from the Neil Gaiman short story. This piece was originally published on Alcohollywood Romance can be hard, especially when you’re a punk and she’s an alien. Adapted from the Hugo-nominated short story of the same name ... HOW TO TALK TO GIRLS AT PARTIES Trailer: John Cameron Mitchell’s Boy-Meets-Alien-Girl Story

REVIEW: Isle of Dogs

Wes Anderson’s latest stop-motion confection is as meticulously constructed and dryly sweet as his previous filmography, even with the extremely complicated questions it raises about appropriation and race. This piece was originally posted on Alcohollywood By now, the Wes Anderson brand is firmly established to the point where even parodying him is old hat. Everyone ... REVIEW: Isle of Dogs

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