84 Best Releases Translations Turkish on Max (Page 4)
In the Heights
SimilarDriving Miss Daisy (1989),
Watch aftertick tick... BOOM! (2021), West Side Story (2021),
StudioEndeavor Content,
During his sophomore year at Wesleyan University in 1999, Lin-Manuel Miranda wrote a draft of his debut play. At first, he “had one song and a title: In the Heights.” Soon after, the musical would premiere at the school’s student-run theater. John Buffalo Miller and Quiara Alegría Hudes helped revise it in the following years, and then it snowballed. It premiered off-Broadway in 2005, went to Broadway in 2008, and had international tours throughout the 2010s. A film adaptation felt like the natural next step, and over two decades after its inception, it arrives with a screenplay from Hudes and Jon M. Chu directing. Continue Reading →
The Conjuring: The Devil Made Me Do It
SimilarA Nightmare on Elm Street (1984), Carrie (1976), Happy Death Day 2U (2019), Ocean's Twelve (2004), The Rage: Carrie 2 (1999),
StudioNew Line Cinema,
Several movies into the Conjuring universe, we’ve mostly separated the real life grifters Ed and Lorraine Warren from the America’s Mom and Dad version of them on screen. If the movies work, it’s because stars Patrick Wilson and Vera Farmiga bring warmth and gravitas to them. They sell the hell out of the bullshit their characters are peddling, whereas the real-life Warrens often came off as prickly and defensive in interviews, offended that anyone would dare to question their dubious authority. Wilson and Farmiga can only do so much, however, and it’s not enough to save The Conjuring: the Devil Made Me Do It, a by-the-numbers snooze that trades in haunted house horror for a supernatural police procedural. Continue Reading →
Pearl Harbor
80 minutes into Michael Bay’s Pearl Harbor, the titular surprise attack finally arrives. It is, without a doubt, one of the most virtuosic action set pieces ever committed to the screen, a flawlessly orchestrated symphony of carnage that burns for close to 40 minutes. Everything that you could possibly hope for from a maximalist, hyperkinetic blockbuster spectacle is here. There’s fire cascading, plumes of black smoke rising, bullets and bombs raining down, planes tumbling from the skies, boats being torn asunder, and bodies being flung about like ragdolls. Annihilation and national tragedy have never looked so stunning or—and it feels gross saying this—felt so exhilarating. Continue Reading →
In Treatment
At The Spool, generally, we try to keep the work front and center. We try to center the work, not ourselves. I say all of that here as a preface because I am both a therapist and a therapy client. I’m reviewing In Treatment as a fictional dramatic work, but I’m also honest enough to acknowledge that framing and guiding some of my opinions will be my own experiences and, while I hesitate to use the term, expertise. Continue Reading →
Hacks
In Las Vegas, the Queen of the Strip, comedian Deborah Vance (Jean Smart) finds out her stranglehold on The Palmetto, her casino home, is slipping. The gambling palace’s owner (Christopher McDonald) alerts her to his plan to take away her prime weekend slots because he needs to appeal to “idiots and people in their twenties,” and Deborah gets him neither. Continue Reading →
Those Who Wish Me Dead
StudioBron Studios, New Line Cinema,
While Those Who Wish Me Dead is coming out in theaters this weekend (be safe, especially if you're not vaccinated!), it's probably the movie to benefit most from Warner Bros. pandemic-fueled decision to simultaneously throw their releases up on HBO Max. From stem to stern, Taylor Sheridan's latest feels like the kind of movie you'd find on old-school HBO in the '90s, or FX or TNT, watching with your dad over a holiday weekend. It's silly, forgettable schlock, and yet I can't get too mad at it. Continue Reading →
Mortal Kombat Legends: Scorpion's Revenge
SimilarBatman Returns (1992), Blown Away (1994), Kill Bill: Vol. 2 (2004), Mary Poppins (1964),
Shaft (2000) The Science of Sleep (2006), Zatoichi (2003),
I'm hardly the first person to observe that the history of video-game adaptations has been replete with messy failures; the challenges of adapting stories that are, by necessity, flat and formulaic to allow players to project themselves onto the kharacters seem virtually insurmountable. Paul W.S. Anderson's 1995 take on Mortal Kombat was one of the few to break that mold, mostly because the charming kast, simple story, and kickin' techno soundtrack were so alchemically appealing that it coalesced into good schlock this time, rather than bad. Continue Reading →
Mare of Easttown
Mare of Easttown may at times feel like it’s kicking a dead horse. It’s a grammatically perfect post-Cardinal Bernard Law, cold-case-comes-alive thriller with rich performances by its entire cast. Yet for a story about a maverick detective purporting to be about more than crime, it follows surprisingly predictable beats, leaving little room for illuminating nuance. Continue Reading →
Scream 4
For the horror genre, April 15, 2011, marked a handful of notable dates. On one hand, it was the 15th anniversary of when Scream started filming, starting with the 11-minute sequence in which an onscreen Drew Barrymore, thought by the masses to be the star, was eviscerated in the name of her killers' pop culture fetish. The movie not only reintroduced the slasher film back into the mainstream, but it also brought back one of its maestros. Of course, that'd be Wes Craven. Continue Reading →
Godzilla vs. Kong
SimilarGodzilla Raids Again (1955), Night at the Museum (2006),
Watch afterBlack Widow (2021), The Suicide Squad (2021),
One of the most fascinating things about Godzilla -- whether in his original Japanese provenance in his long-running series of films, or in the comparatively-recent "MonsterVerse" Westernization of the big lizard, courtesy of Warner Bros. and Legendary -- is that he's so malleable. On the one hand (as with the original 1954 Ishiro Honda film and Gareth Edwards' flawed but philosophically-intriguing 2014 reboot), he can be a poignant vehicle to explore the apocalyptic anxieties of nations ravaged by atomic bombs and climate change. Continue Reading →
春光乍洩
Like most pieces of queer cinema, Happy Together was widely misunderstood on its initial release. Looking back on its reviews in 1997 by American critics, there’s a puzzling emphasis on the narrative. Specifically, many critics at the time took umbrage for what they perceived as a “laggy” storyline. So prominent were these criticisms that they ended up giving the film a Metacritic score just one point about Star Wars: Episode III- Revenge of the Sith. Continue Reading →
重慶森林
"Everything expires. Is there anything in this world that doesn't?" Continue Reading →
墮落天使
In Wong Kar-wai’s Fallen Angels, we follow two parallel narratives. One tells the story of a contract killer (Leon Lai) trying to get out of the game and his agent (Michelle Reis) who is infatuated with him. The other follows a chaotic and mute man, He Zhwiu (Takeshi Kaneshiro), who falls in love with a woman called Charlie (Charlie Yeung) whom he keeps running into. There’s a lot to like here, from the moodiness of Hong Kong to the music, to Wong Kar-wai’s signature stunning lighting. One specific thing which is really fascinating here is how few moments of dialogue are present here, and how that makes this film so effective. Continue Reading →
Zack Snyder's Justice League
Watch afterBlack Widow (2021), Shang-Chi and the Legend of the Ten Rings (2021), The Suicide Squad (2021),
StarringWillem Dafoe,
Zack Snyder’s Justice League is a good movie. Its cast brings the famous DC superhero team to life through performances that range from reliably solid to very strong. Its action is clear, creative, and in a few places downright stupendous. Its thematic work is interesting, both on its own and in the greater context of its long and winding road to existence. There are multiple moments that qualify as full-on fantastic filmmaking, sequences that successfully connect western superheroes to the larger-than-life feeling of mystical Arthurian lore. To put it simply, I like it. I like it a bunch. Continue Reading →
阿飛正傳
Watching any Wong Kar-wai movie in 2021 hits differently than it might have in almost any other year. He’s a director known for exploring loneliness and to watch it at a time when all of us without question are among the loneliest we’ve ever been is a striking experience. We’re now a year into a pandemic and despite the vaccinations on the horizon, it feels like it has no end. We’re counting the time since we last hugged or kissed our loved ones in months and even years at this point instead of hours. Continue Reading →
Language Lessons
Natalie Morales directs herself and Mark Duplass in a tender look at the bonds we form to save ourselves in a hard world.
How are we supposed to process our grief when the closest we have to comfort is sharing feelings through zoom video calls? In Natalie Morales’ directorial debut Language Lessons, that question is explored at the center of the story. Wonderfully written and packed with heart and sensitivity, this heartwarming two-hander mumblecore celebrates the beauty of human connection in any kind of medium, depicting how the unexpected bond we have with other people, even the one only shared via computer and phone screens, can help us heal from the pain of losing our loved ones.
Morales, who co-writes the script with indie darling Mark Duplass, plays Cariño, a Costa Rica-based Spanish teacher hired by a wealthy man named Will (Desean Terry) to give his husband, Adam (Duplass), a 100-hour lesson on the Spanish language. Though their first meeting starts off awkwardly, the two eventually warms up to each other, especially after Adam opens up about his life, his relationship with Will, and even his strange morning routine. Continue Reading →
It's a Sin
NetworkChannel 4,
SimilarDante's Cove, More than Blue: The Series, Queen Cleopatra, Star and Sky: Star in My Mind,
In 1979, the Village People released the song “Ready for the 80’s” on their double-LP Live and Sleazy. The song is upbeat and bright, full of hope and promise. The group sings “I’m ready for the 80s / Ready for the time of my life” throughout the chorus, and one verse starts “Everything is gonna work out fine / I have faith in this old world of mine / We'll be loving in the bright sunshine.” Listening to this song over 40 years later, you can’t shake a sense of dramatic irony. In the end, the 80’s weren’t kind to the Village People, disco, or queer men in general. As I watched the opening episode of Russell T. Davies' latest mini-series, It’s a Sin, I kept thinking of this song and its optimistic outlook for a new decade, an optimism echoed in the fresh faces of its cast, blissfully unaware of the heartbreak awaiting them. Continue Reading →
Judas and the Black Messiah
SimilarBrubaker (1980), Chicago (2002), Freedom Writers (2007), Mississippi Burning (1988),
Primal Fear (1996) The Pursuit of Happyness (2006),
(This review is part of our coverage of the 2021 Sundance Film Festival.) Continue Reading →
Greenland
Nothing heals a broken marriage like the end of the world. That’s one of the takeaways from Greenland, a disaster movie about a massive comet that has Earth, and Gerard Butler, in its crosshairs. Butler plays John Garrity, a structural engineer who finds his marriage to Allison (Morena Baccarin) falling apart, just like the giant comet (named Clarke) that’s breaking up into smaller pieces so it can spread its damage all over the planet before its big chunk hits, creating a mass extinction event. Continue Reading →
Wonder Woman
Sixty-six years after she slew Ares, the God of War, and cleared the decks for humankind to fix their proverbial shit and end World War I, Diana Prince, Wonder Woman (Gal Gadot), has settled into a new life in Washington, DC. Her apartment, filled with reminders of the “Great War” and the man she loved ever so briefly, Steve Trevor (Chris Pine), suggests that while she is alive, she hasn’t truly lived in some time. Continue Reading →
Let Them All Talk
SimilarEternal Sunshine of the Spotless Mind (2004),
Steven Soderbergh may be best known for his remake of Ocean’s Eleven, a commercial hit featuring a cast of dashing male stars (and Julia Roberts). Who needs eleven when you’ve got Meryl Streep, Dianne Wiest, and Candice Bergen aboard a real-life ocean liner? In Soderbergh’s newest, Let Them All Talk, he embarks on a return trip to his indie filmmaking roots, bringing along celebrity pals and a few tricks of the trade he’s learned in his prolific career. Continue Reading →