1102 Best Film & TV Releases Translated Into Greek (Page 23)

When James Caan passed away back in July, most of the celebrations of his life and career focused on the tough guy persona that he developed via such classic films as The Godfather (1972), The Gambler (1974), and Thief (1981), to name just a few. All of those are undeniably worthy of tribute, of course. However, many remembrances failed to note his adeptness in comedies, especially those that allowed him to have fun with his macho screen image. Continue Reading →

From Promising Young Women to Big Little Lies, we’re in a golden age of female revenge stories. Looking to add to the ranks is AppleTV+’s new series Bad Sisters. It follows the tight-knit group of sisters who slowly turn on their prick-ish brother-in-law after years of misogynistic torture. It’s a dash of thriller Big Little Lies with a sprinkle of the comedy of 9 to 5, all set in a coastal Irish town.    Continue Reading →

Amber’s (Alison Brie) dead-eyed stare in the opening montage of Spin Me Round tells you everything you need to know about where she’s at in life. She’s the manager of a fast-casual “Italian” restaurant, and from what we see about how they make the alfredo sauce, the quotes are very much warranted. Her life is small and dull and she’s secretly ready and hoping for an adventure to sweep her off her feet. When Amber wins a trip to Tuscany, the film doesn’t take her or the audience on the journey you’d expect, which creates something of a mess for everyone.  Continue Reading →

Thanks to all the pre-release press with show creator and head writer Jessica Gao, viewers already know what She-Hulk: Attorney At Law won’t be: a courtroom dramedy. Unfortunately, after the first episode, “A Normal Amount of Rage,” it isn’t clear what kind of show it will be either. Continue Reading →

Alright, there's only one way to start this off, so best to do it well. Continue Reading →

No one mistakes HBO’s Winning Time: The Rise of the Los Angeles Lakers for a 30 For 30 documentary. So why does that series feel more authentic to the Golden Era of professional basketball, and the team that helped elevate the NBA into an American pastime, than a ten-hour documentary about the Lakers? Continue Reading →

Better Call Saul is a tragedy. From the beginning, it focused on a rough-edged, yet decent man whom the audience knows will one day become an unrepentant merchant of death and destruction. What makes it so tragic, beyond the known destination, is that the series is riddled with missed exits. Time and again, Jimmy McGill (Bob Odenkirk) faced situations where -- if he’d just pulled back from the brink, if he’d only taken his lumps instead of wriggling out of them, if he’d simply chosen not to push things too far -- all of this could have been avoided. Continue Reading →

Ladies, sometimes life deals you a rough hand. Sometimes, in the blink of an eye, you can lose someone or something infinitely precious to you. Grief is so easy to slip into, it’s hard to pull yourself out of that darkness, but you know what will help? Spelunking. Or maybe ocean kayaking. Or, in the case of director Scott Mann’s Fall, climbing a 2000+ foot tv tower in the hopes that doing so will help to push through the horrifying memory of your husband’s death in a climbing accident.   Continue Reading →

In Adam Patterson and Declan Lawn’s spy thriller Rogue Agent, English actor James Norton plays Robert Hendy-Freegard. Or, more aptly, Norton plays every version of Hendy-Freegard — lovable, charming, terrifying, convincing, evil. Norton’s up to the task, and the film rewards a level of misunderstanding and a lack of knowledge about Hendy-Freegard and his history (he has already been made into a docuseries). With each passing moment, Norton becomes more persuasive, more potent in his convictions, and more believable in his alleged employment as an MI5 agent constantly on the run.   Continue Reading →

Our final dispatch from Fantasia features a blend of powerful stories with dynamic female characters. (This dispatch is part of our coverage of the 2022 Fantasia Film Festival.) There is perhaps no more literal or better example of Fantasia's killer run of female-centered stories this year than Amanda Kramer’s kaleidoscopic Give Me Pity! Following Sissy St. Claire (Sophie Von Haselberg) for her singular Saturday night special, this remarkable feat of staging and performance is a golden, glittery, and gothic descent into the twisted psyche of a performer desperate for acceptance. At once a TV concert, sketch show, and dramatic showcase, Give Me Pity shows off the exhaustive range of its visionary director and solo star. Continue Reading →

Welcome to Right on Cue, the podcast where we interview film, TV, and video game composers about the origins and nuances of their latest works. https://open.spotify.com/episode/4o5jRlzLYUWWtUrjCObEN9?si=63ce4a3efcae4a89 While Apple TV+ is home to some of the biggest shows on TV -- your Teds Lasso, your Severances -- some of its best, most beguiling shows and miniseries don't get talked about nearly as often. Among those hidden gems is The Essex Serpent, the six-part adaptation of the novel by Sarah Perry, starring Claire Danes and Tom Hiddleston. Set in turn-of-the-century England, The Essex Serpent follows Cora Seaborne (Danes), a recently widowed Londoner, who sees her newfound freedom as the perfect excuse to pursue her love of science. That pursuit takes her to the Essex countryside, where a small town has been besieged by what's been reported to be a massive serpent. Some, including the town pastor (played by Hiddleston), doubt its veracity, but the town itself is convinced, and Cora's arrival just puts more fuel on the fire. Continue Reading →

Like many movies about people who use their phones and social media in excess, each viewer's individual enjoyment of director Halina Reijn's Bodies, Bodies, Bodies may hinge on their tolerance for Twitter jargon. Newcomer Sarah DeLappe's horror comedy screenplay is sharp and funny when it's not bogged down by an excess of 2020s slang. The heavy use of internet-speak isn't a problem for the first two acts. By the third act, though, it feels glaring.  Continue Reading →

It’s fascinating to watch a movie that could have been made any time within the past 30 years. That’s not the same thing as “timeless,” I’m talking about a movie that just feels like the script lingered in development hell for possibly decades before finally getting made, with only the slightest bit of tweaking to bring it up to date. Netflix’s new horror-comedy Day Shift could have been made in 1996, 2005 or 2012, and the only thing that would need to be changed is the cell phone technology. Like a lot of Netflix’s original content, it’s polished, yet dull, with a budget that doesn’t explain how forgettable it is. Continue Reading →

As the likes of Doogal and Planes make abundantly clear, there is no secret formula for making a great animated kid’s film. But there are some key things to avoid if you want to make a movie aimed at youngsters that satisfies its target demo. Luck, the first feature from Skydance Animation, trips over several of these shortcomings, particularly overwhelming your young audience with too much expository dialogue. Adolescents want wonder and soaring emotion, not endless chatter about how a fictional world operates. Devoting so much time to lore is just one of the many ways Luck underwhelms compared to its potential.  Continue Reading →

Season Two of Reservation Dogs opens with the aftermath of last season. Elora (Devery Jacobs) left fellow Rez Dogs Bear (D’Pharaoh Woon-A-Tai), Willie Jack (Paulina Alexis), and Cheese (Lane Factor) high and dry as she ran away to Cali with Jackie (Elva Guerra), one of their group's sworn enemies. They’re all trying to grow up and move on from their haunted pasts, and their friend Daniel’s (Dalton Cramer) death still lingers. Will a prayer and Tom Petty’s “Free Fallin’” be enough to lift the curse and bring the Rez Dogs back together? It’s a slow-burn season, balancing the drama and the comedy of the teens coming of age both on and off the reservation.  Continue Reading →

Five strangers with deadly ambitions sit on a train speeding from Tokyo to Kyoto in the middle of the night, all connected by one mystery yet to be solved. It sounds like the setup for a modern Agatha Christie whodunit, but make those strangers dangerous hitmen, and switch out the intrigue with violent mayhem, and you get Bullet Train. Continue Reading →

A look back at the use of chimpanzees as clowns & sidekicks for humans, & how it relates to a strange & haunting subplot of Jordan Peele's hit sci-fi horror. Note: this article contains spoilers for Nope. Please read Jon Negroni’s spoiler-free review here. If you haven’t seen Nope yet, you might be a little puzzled by references to a character named Gordy, especially once you learn that Gordy is a chimpanzee. It’s understandable: there’s not so much of a glimpse of a chimpanzee in any of the promotional material for Nope, and nothing that happens in its trailers seems to suggest that a chimpanzee will play any part in it. Continue Reading →

Ron Howard has been directing feature films for almost 45 years now (his latest, Thirteen Lives, has just opened) and I think most would agree that he long ago proved himself behind the camera—he works well with actors, tells his stories cleanly and efficiently and, barring outliers like How the Grinch Stole Christmas or Hillbilly Elegy, even his films that don’t quite work never go completely off the rails into complete disasterdom. If there is a flaw to Howard’s method, it is that there is never a personal touch or sensibility to most of his films—even the most ardent auteurist would struggle to find any sort of artistic throughline connecting his work. Sure, there is something to be said for solid, sensible craftsmanship, but Howard as a filmmaker could stand to let his artistic freak flag fly once in a while.  Continue Reading →

Being a pet owner can enrich your life and open your heart to certain movies you may otherwise ignore. If I had watched DC’s new animated children’s film, League of Super-Pets, before being a proud doggy dad, I would have rolled my eyes. I likely would’ve declared it a blatant cash grab that distracts kids with cute talking animals, loud explosions, mediocre animation, and plenty of needle drops that date the film quicker than Shrek.  Continue Reading →