The show finally finds its groove with a detour, an abandoned boy, and a lost cause.
Synthetic threats and synthetic relationships pepper Picard’s “gather the team” episode.
Season 12 continues its upward trajectory with a perfectly-fine adventure with a few interesting supporting players.
Brandon Cronenberg’s second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
Patrick Stewart returns to his iconic role in a new Star Trek series in desperate need of a shakedown cruise.
Richard Stanley makes his feature directing return with a can’t-miss combination of Nicolas Cage and H.P. Lovecraft.
A re-release of an architecture doc and a thrilling box set of Karel Zeman’s imaginative special effects work number among Criterion’s offerings this month.
Spurned inventors and a chilling villain make for one of the most coherent, moving episodes of Whittaker’s tenure.
Armando Iannucci’s followup to Veep takes on the vagaries of corporate culture in deep space.
The latest episode tries to be a corridor-chasing lark and a climate change allegory and fails mightily at both.
Kristen Stewart battles a sinking sealab and aquatic beasties in this drab, but workable deep-sea thriller.
A spotty first half turns into a thrilling, crackerjack conclusion, and a startling set up for the new season.
The long-running BBC series returns for a rushed, flashy season premiere with an audacious twist that might just turn the show around.
The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
From the first time we meet Baby Yoda to the final trek of the Razor Crest, we look back at the highs and lows of The Mandalorian’s first season.
We cross-over with the Debating Doctor Who podcast to figure out which Christmas Special (and their stars) deserves a spot on the Hall of Faces.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
We revisit the underappreciated humanism of James Cameron’s effects-driven blockbuster a decade after its release.