Hulu’s patriarchal sci-fi dystopia can’t quite bring itself to explore what happens outside the cis experience.
Twenty years after the show’s finale, we sit down to determine which of Deep Space Nine’s deep bench of great characters earns our favor.
Katee Sackhoff and an improbably attractive crew can’t save this DOA sci-fi series.
Netflix’s acclaimed horror-nostalgia series returns for a third season of high-stakes blockbuster television.
The Wachowskis took their high-concept empathy to TV with a gloriously ambitious Netflix show that was gone far too soon.
The Wachowskis’ last theatrical film to date — a space opera with Channing Tatum as a roller-skating wolf man — is one of their most ambitiously corny efforts yet.
The Matrix Revolutions, the Wachowskis’ final film in the trilogy, is just as flawed as Reloaded, but carries heaps of visual and thematic weight.
While still a visual triumph, “The Matrix Reloaded” swaps out depth for shallow philosophy.
The film that made the Wachowskis a household name balanced dazzling special effects with a profound message about self-discovery.
Not even the cosmic star power of Chris Hemsworth and Tessa Thompson can stop this tired, paint-by-numbers reboot.
This slow-burn dystopian sci-fi thriller questions the motives & limits of maternal love.
Five years after its box office failure, a look back at what went wrong for Cruise’s ambitious sci-fi action film and how the narrative has changed.
For June, we celebrate Pride Month by diving into the filmography of cinema’s most prominent transgender filmmakers.
Jessica Hausner’s sci-fi yarn about plants that emit happy drugs doesn’t branch out as widely as one would like.
On its tenth anniversary, we look back at McG’s abortive attempt to revamp the Terminator franchise.
Mati Diop’s expansion of her documentary short is a scifi-tinged genre experiment that admirably swings for the fences, even if it doesn’t land with complete success.
As the first generation of Marvel superheroes hangs up their claws and helmets, we wonder just how long pop culture will actually let them stay dead.
While it doesn’t have the reputation of Miyazaki’s later works, Studio Ghibli’s sophomore film serves as a lovely steampunk primer to the man’s filmography.