Andra Day shines in Lee Daniels’ otherwise-messy biopic about the Black cultural icon, squandering some fine potential.
Shonda Rhimes’ latest series is a delightful romp filled with diverse characters (and casting), and more bodice-ripping intrigue than you can shake a corset at.
The Netflix period drama returns for a fourth season full of typically stellar performances and unflinching storytelling.
HBO’s gritty new gumshoe is already being eclipsed by his more interesting supporting players in episode two.
Matthew Rhys steps into the gumshoes of the famed private investigator for a shaky but sumptuous first episode.
Ryan Murphy’s latest show for Netflix is a glitzy alternate history that gives power to the marginalized.
Julian Fellowes brings his Downton Abbey sensibilities to this warm, comforting costume piece.
Amazon’s adaptation of the Agatha Christie mystery The Pale Horse (one of the author’s final works) keeps her innate spirit for intrigue.
The director of Wild Rose and The Aeronauts sits down to talk about his high-flying historical adventure, now available on Amazon Prime Video.
Greta Gerwig’s adaptation of the Louisa May Alcott book is sensitive, challenging, and earnestly engages with the source material.
Despite the ridiculous concept and uneven tone, Apple TV+’s new comedy is a compelling watch.
Waistcoats and pageantry rule the day at the box office, while Brad Pitt’s cerebral sci-fi drama Ad Astra puts on a respectable showing.
Chanya Button’s tale of the romance between Vita Sackville-West and Virginia Woolf is a little too slapdash to address its myriad concerns.
Quentin Tarantino’s ninth film is a sun-soaked return to his roots, an energetic elegy for Old Hollywood that plays fast and loose with its history.
The director of House of Flying Daggers and Hero drains the color from a Shakespearean take of double identities to crisply symbolic effect.
Céline Sciamma’s queer period romance is an intimate visual feast, filled with uncanny empathy and admirable aesthetics.
Kenneth Branagh furthers his adoration for William Shakespeare by directing and starring in this free-wheeling biopic of the Bard’s final years.
Ralph Fiennes’ tale of real-life Russian dancer and defector Rudolph Nureyev is stylish enough but fails to slip deeply into its’ characters ballet flats.