Park Chan-wook’s most recent film is an erotically charged but non-salacious look at women finding shelter & understanding in each other.
park chan-wook
The director’s sole English-language film to date is a simmering, occasionally empty exercise in Hitchcockian style.
Park chan-wook breaks up his tales of blood and vengeance with a bittersweet tale of the thin, romantic line between compassion and delusion.
Park Chan-wook’s take on vampire movies is bleak, creepy and undeniably sexy.
Park Chan-wook kicks off his Vengeance trilogy with a mournful thriller that laid the groundwork for many of his tonal and class concerns.
A half-remembered tale of revenge, Park Chan-wook’s 2003 thriller is still as steeped in extreme cinema as it is ancient tragedy.
Rough around the edges but fascinating nonetheless, Park Chan-wook’s breakout hit remains a signal of his later work.
The man who arguably put South Korean cinema on the world map is the focus of this month’s retrospectives.