Park Chan-wook’s most recent film is an erotically charged but non-salacious look at women finding shelter & understanding in each other.
The director’s sole English-language film to date is a simmering, occasionally empty exercise in Hitchcockian style.
Park chan-wook breaks up his tales of blood and vengeance with a bittersweet tale of the thin, romantic line between compassion and delusion.
Park Chan-wook’s take on vampire movies is bleak, creepy and undeniably sexy.
Park Chan-wook kicks off his Vengeance trilogy with a mournful thriller that laid the groundwork for many of his tonal and class concerns.
A half-remembered tale of revenge, Park Chan-wook’s 2003 thriller is still as steeped in extreme cinema as it is ancient tragedy.
Rough around the edges but fascinating nonetheless, Park Chan-wook’s breakout hit remains a signal of his later work.
The man who arguably put South Korean cinema on the world map is the focus of this month’s retrospectives.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.