Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
jeffrey wright
Steven Soderbergh serves up a messy capitalist critique in the shell of a slick, simplistic essay film.
While it captures some of the melancholy of the acclaimed novel, John Crowley’s adaptation is too leaden and self-serious to really soar.
