I Categories Features Filmmaker of the Month April 1, 2022 In the Cut sees Jane Campion turn her eye to the 21st century The great director delves into New York's anxious days post-9/11 via a thriller about a woman usure who she can trust.
B Categories Features Filmmaker of the Month Movies Reviews March 27, 2022 Bright Star: The immaturity and immensity of looking  Jane Campion's chronicle of Fannie Brawne and Romantic poet John Keats' courtship is a masterful study of longing and star power.
H Categories Features Filmmaker of the Month Movies Reviews March 26, 2022 Holy Smoke! burns poisoned masculinity but chokes on Orientalist smog Kate Winslet and Harvey Keitel deliver powerhouse performances in Jane Campion's cult-deprogramming dramedy, but the script fails in its thoughtless colonialism.
T Categories Features Filmmaker of the Month Movies Reviews March 21, 2022 The Portrait of a Lady sees Jane Campion paint agency, control, and desire Campion followed The Piano with a Henry James adaptation dedicated to the magnificently fraught question of desire or duty.
I Categories Features Filmmaker of the Month Movies Reviews March 21, 2022 In The Piano, Jane Campion and Holly Hunter navigate silence Campion's multi-Oscar winner studies the thorns of speaking, silence, and desire through impeccable performances.
W Categories Features Filmmaker of the Month March 10, 2022 With Sweetie, Jane Campion explores the rot inside a family tree Master filmmaker Jane Campion's first theatrical picture ably demonstrates both her formal mastery and her precise character work.
T Categories Festivals Movies Reviews TIFF 2021 September 15, 2021 TIFF 2021: Jane Campion’s neo-western The Power of the Dog is a haunting study of masculinity and repressed desire The great director Jane Campion and a stupendous cast dig deep into dread and melancholy in one of 2021's finest films.
C Categories Columns Criterion Corner August 20, 2019 Criterion Corner: “An Angel At My Table,” “The Koker Trilogy,” ’50s Ozu Jane Campion's Janet Frame biopic, a trilogy of fables from Abbas Kiarostami, and one of Ozu's lesser-known melodramas fill Criterion's August slate.
