Céline Sciamma’s followup to Portrait of a Lady on Fire is a graceful tale of rediscovered childhood.
Martine Chevallier and Barbara Sukowa shine in Filippo Meneghetti’s achingly tragic debut.
Philippe Lacôte directs a unique film about a young man who’s forced to tell stories to save his own life.
The cinematographer of Sundance favorite Jumbo talks about transforming a tilt-a-whirl into Noémie Merlant’s living, breathing lover.
Maïmouna Doucouré has a lot on her mind, but digs uncomfortably into oversexualization.
Bertrand Bonello writes & directs a genre defying story about teenage passion & the thin veil between life & death.
Denys Arcand’s droll French caper comedy leans a little too hard on cliche and creaky anti-capitalist screeds.
Céline Sciamma’s queer period romance is an intimate visual feast, filled with uncanny empathy and admirable aesthetics.
It takes some doing to make a movie about a talking fridge boring, but by gum, Benoît Forgeard’s messy comedy manages to pull it off.
Arnaud Desplechin shifts gears with an all-too-straightforward cop drama mired in cliche.
The off-kilter French-Canadian auteur returns with a resonant if overlong drama that ends just a bit too messily.
The latest film from the French master is a piercing look at the state of publishing and mass media wrapped up in relationship drama.
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the […]