Sam Raimi and Sharon Stone’s quickdraw revenger is stylish and skillfully crafted.
Park Chan-wook’s most recent film is an erotically charged but non-salacious look at women finding shelter & understanding in each other.
Park Chan-wook’s take on vampire movies is bleak, creepy and undeniably sexy.
Despite its future A-list cast & spooky atmosphere, “Blood Creek” is an incoherent misstep for the versatile director.
Joel Schumacher inexplicably drained Andrew Lloyd Webber’s legendary Broadway musical of every bit of its camp and queerness.
Joel Schumacher’s second go at the Batman franchise has its undeniable charms, but relied too much on tired stereotypes.
Joel Schumacher’s ninth feature adapts John Grisham’s usual action nonsense with depth & sensitivity.
Joel Schumacher’s fun, stylish take on teen vampires both ushered in “MTV horror” & acknowledged young female horror fans.
The Brat Pack-era drama about callow college graduates is worth a watch, if you can tolerate its awful characters.
Gus Van Sant and Buck Henry’s darkly funny satire about toxic self-obsession features a memorably villainous turn by Nicole Kidman.
An unlikely team of heroes could have been a cliché, but Joss Whedon’s first foray into the MCU worked because it toyed with its moving parts.
One year after Avengers: Endgame, we look back at the blockbuster franchise that changed superhero cinema — and the moviegoing landscape — forever.
Spike Lee’s Kickstarted remake of Ganja & Hess is more interesting than its negative reception belies.
With its lo-fi aesthetics and quietly chaotic presentation, Jonathan Demme’s 2008 drama never goes for the easy conflicts at hand.
Five years on, Ava DuVernay’s gripping account of the march from Selma to Washington stresses that MLK’s fight is far from over today.