The culmination of Marvel’s 11-year gameplan is a cinematic juggling act whose success is an unlikely achievement.
A surprisingly insightful, sensitive entry in the MCU explores Tony Stark’s battle with guilt & PTSD.
Jon Favreau’s 2010 followup to the first film in the Marvel Cinematic Universe also shows the weaknesses of worldbuilding over structure.
Brian De Palma’s bizarro, big-budget blastoff is rocky, but it remains an effectively fun entry in the director’s filmography.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
From the latest Marvel trailers to the upcoming Amazon/Hulu shows, the Super Bowl was a cavalcade of anticipated TV spots.