Cathy Yan’s debut feature already shows an assured and clever director’s eye.
Chan’s latest collaboration with Supercop director Stanley Tong is an airless bore.
Hao Wu’s fly-on-the-wall glimpse of China’s 76-day coronavirus lockdown is a startling portrait of resilience and helplessness.
True to its name, Song Fang’s low-key drama will soothe your nerves, but not much else.
Niki Caro’s remake of the animated classic slots nicely into the Chinese war epic formula, but a bit of Disney magic gets lost in the mix.
The writer/director sits down to talk about indie filmmaking, the importance of Asian-American voices, and putting her life story on film.
Julia Reichert and Steven Bognar track the intersection of culture and capitalism in this intriguingly humanistic doc.
The director of House of Flying Daggers and Hero drains the color from a Shakespearean take of double identities to crisply symbolic effect.
Zhou Shengwei turns shoes into symbols for the systemic oppression of women in capitalist systems in this dizzying, expressionistic experiment.
Culture clash and end-of-life issues collide in Lulu Wang’s scintillatingly heartfelt drama “based on an actual lie.”
More than just its gimmicky 59-minute 3D long shot, Bi Gan’s dreamlike drama is a delightfully challenging, exhilarating work of cinema.
Our Sundance coverage wraps up with a triple feature of a 1980s art-school personal essay, a documentary from China, and a haunting child-soldier tale.
The shark schlock comes at you hard, fast, and fun, as Jason Statham battles giant sharks with an […]