Dora and the Lost City of Gold Review: Can You Say Exciting? Very Good! Nickelodeon's teenage live-action reboot of the beloved children's show brings a strong central performance and oodles of adventure.
The Nightingale Review: What Do You Do When Vengeance is All You Have? Jennifer Kent's unsparing revenge drama is a grueling but powerful lesson in history repeating itself.
TV Preacher Season 4 Review: Seeking a Fart Joke for the End of the World AMC's droll comic book adaptation saddles up for an apocalyptic final season whose juvenile antics bring diminishing returns.
Tel Aviv on Fire Review: Even Soap Can’t Clean Dirty Politics Sameh Zoabi's politically-charged satire of Palestinian soap operas works better as farce than social polemic.
Them That Follow Review: Why Did It Have to Be Snakes? Despite its stellar cast, including Kaitlyn Dever and Olivia Colman, this indie cult drama slithers away from itself a bit too often.
Piranhas Review: Italian Crime Drama Swims Into Deadly Waters The latest adaptation of a Roberto Saviano novel is a familiar, but inventive crime drama.
TV Dear White People Season 3 Review: Murder The Narrator A more expansive season opts for character beats over cohesive storytelling.
TV Younger Recap: Marriage and Moving On in “Friends With Benefits” The rivalry between Millennial and Mercury may be over, but the friction has only just begun.
Mike Wallace is Here Review: Memorializing a Bulwark of Journalistic Integrity Avi Belkin's split-screen view of the firebrand 60 Minutes reporter offered a flawed, but empathetic picture of one of journalism's last great titans.
TV You Must Get Down With “Sherman’s Showcase” IFC's uproarious variety show-within-a-documentary is a groovy slice of '70s ephemera, as smart as it is strange.
Hobbs & Shaw Review: The “Fast & Furious” Series Finds a New Family Dwayne Johnson and Jason Statham team up in a spinoff that delivers plenty of action, even if its humor stalls.
Review: “David Crosby: Remember My Name” Finds the Cost of Musical Freedom The David Crosby-centric doc proves most effective when it embraces the rock-infused messiness of the man's life and career.
Hall of Faces Hall of Faces: Who’s the Greatest Character on “SpongeBob SquarePants”? Our monthly TV podcast returns to find Bikini Bottom's favored son for the twentieth anniversary of Nick's seminal kid's show.
Features “The Hateful Eight” Gets One Thing Exactly Right The otherwise-spotty Hateful Eight still contains one of Tarantino's greatest sequences.
Box Office Report Box Office Report: “Once Upon a Time in Hollywood” Has Glitzy Opening While "The Lion King" dropped like Mufasa off a cliff in its second weekend, "Once Upon a Time in Hollywood" kicked off Tarantino's biggest opening.
Luce Review: A Golden Boy Yearns to Break Free Julius Onah directs a provocative psychological drama about an adopted teen struggling with societal expectations.
Features How Not to Talk to Women: the “Catwoman” Disaster Fifteen years later, the spectacular failure of Catwoman still stings.
Features Quentin Tarantino Made a Bloody Antebellum Opus With “Django Unchained” Quibbles about violence and the n-word aside, Quentin Tarantino's slave-era blaxploitation film remains one of his most exciting works.
Features Amityville: You Can Move Out Any Time You Like, But You Can Never Leave The blueprint for modern haunted house movies turns 40, but some of its themes feel just as fresh and contemporary today.
Podcasts Rhianne Barreto and J.C. MacKenzie of HBO’s “Share” on Shame and Sexual Assault We sit down with the stars of HBO's latest film to talk about sexual assault and social media in the post-#MeToo era.
Features “Inglourious Basterds” Lets Tarantino Turn the Propaganda Back on his Audience Quentin Tarantino's blood-soaked WWII film lets him turn the camera around on the audience and interrogate his own violent oeuvre.