121 Best Releases From the Genre Fantasy (Page 3)

The Spool Staff

Wendell & Wild

MPAA RatingPG-13

I didn’t realize watching Wendell and Wild how much I’d missed Keegan Michael-Key and Jordan Peele bouncing off one another. Though restricted to just voice-over performances here, their incredible chemistry remains intact. The moment their demonic characters started exchanging dialogue, I felt like I was right back in 2014, watching sketches like “Gremlins 2 brainstorm” or “Fronthand Backhand” on YouTube, in awe of the witty rapport these performers shared. Continue Reading →

Werewolf by Night

SimilarDr. No (1962), From Russia with Love (1963), Goldfinger (1964), On Her Majesty's Secret Service (1969), Sin City (2005), The Dark Knight (2008), You Only Live Twice (1967),
MPAA RatingPG-13
StudioKevin Feige Productions, Marvel Studios

For the brave trick-or-treaters who venture to the front door of the old abandoned MCU Manor, a spooky treat awaits. All courtesy of one of Marvel’s more obscure characters—Werewolf by Night. Continue Reading →

Hocus Pocus 2

SimilarBring It On (2000), Free Willy (1993), Hellboy (2004), Night at the Museum (2006),
Watch afterBullet Train (2022),
StarringDoug Jones, Hannah Waddingham, Sam Richardson,
MPAA RatingPG
StudioWalt Disney Pictures,

The original Hocus Pocus has grown to be a cult favorite over the years. The 1993 film followed the Sanderson sisters: Winnie (Bette Midler), Mary (Kathy Najimy), and Sarah (Sarah Jessica Parker) as they terrorized Salem, Massachusetts after rising from the grave—until their apparently eternal banishment the end of the film. Now, in 2022, the Sandersons have been resurrected by the corporate magic of Disney. Luckily, Hocus Pocus 2’s spellweaving will delight both nostalgic fans of the original and draw in a new crowd of young fans. Continue Reading →

The Munsters

SimilarBack to the Future Part III (1990), Harry Potter and the Prisoner of Azkaban (2004),
MPAA RatingPG

Ever since Rob Zombie dug through the ditches, burned through the witches, and slammed it in the back of his Dragula, it was inevitable his career would lead to The Munsters. It’s where the coffin car originated and feels like the Rosetta Stone for Zombie’s lifelong passions for the weird and macabre. The TV show aired on CBS in 1964, just six days after the premiere of that other spooky household, The Addams Family. Both shows were satires of the lily-white (and, thanks to racially discriminatory laws, literally White) suburbs that were taking over America. The Munsters was the more popular show then--and the kitschier--which might explain why it holds a special place in Zombie’s heart.  Continue Reading →

Birdemic 3: Sea Eagle

SimilarAmélie (2001), Back to the Future Part II (1989), Back to the Future Part III (1990), North by Northwest (1959), Ocean's Twelve (2004),
MPAA RatingNR

James Nguyen hammers down the end of his bad-movie trilogy with a true stinker of birdemic proportions... and not in a fun way. (This review is part of our coverage of Fantastic Fest 2022.) With its stilted acting, incompetent screenplay and direction, and special effects that looked like someone puttering around with After Effects for the very first time, James Nguyen’s "ecological horror" film Birdemic: Shock and Terror (2010) became a cult favorite among bad film fanatics, especially latecomers to the hoopla surrounding The Room looking for something they could claim as their own. Continue Reading →

Mack & Rita

Watch afterBarbie (2023)
MPAA RatingPG-13

Many of us have been called “old souls.” We are the people who feel out of step with our times. Director Katie Aselton’s Mack & Rita is a charming new comedy for us old gals that provides a refreshing update to the magical comedies of yesteryear. Continue Reading →

Fantasia

SimilarIce Age (2002), Mary Poppins (1964), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),
MPAA RatingG,
StudioWalt Disney Productions,

Our final dispatch from Fantasia features a blend of powerful stories with dynamic female characters. (This dispatch is part of our coverage of the 2022 Fantasia Film Festival.) There is perhaps no more literal or better example of Fantasia's killer run of female-centered stories this year than Amanda Kramer’s kaleidoscopic Give Me Pity! Following Sissy St. Claire (Sophie Von Haselberg) for her singular Saturday night special, this remarkable feat of staging and performance is a golden, glittery, and gothic descent into the twisted psyche of a performer desperate for acceptance. At once a TV concert, sketch show, and dramatic showcase, Give Me Pity shows off the exhaustive range of its visionary director and solo star. Continue Reading →

Day Shift

SimilarBack to the Future Part III (1990), Beverly Hills Cop III (1994), Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), True Romance (1993),
Watch afterTop Gun: Maverick (2022),
MPAA RatingR

It’s fascinating to watch a movie that could have been made any time within the past 30 years. That’s not the same thing as “timeless,” I’m talking about a movie that just feels like the script lingered in development hell for possibly decades before finally getting made, with only the slightest bit of tweaking to bring it up to date. Netflix’s new horror-comedy Day Shift could have been made in 1996, 2005 or 2012, and the only thing that would need to be changed is the cell phone technology. Like a lot of Netflix’s original content, it’s polished, yet dull, with a budget that doesn’t explain how forgettable it is. Continue Reading →

Luck

SimilarCatwoman (2004), Volver (2006),
Watch afterJurassic World Dominion (2022), Thor: Love and Thunder (2022), Top Gun: Maverick (2022),
MPAA RatingG,

As the likes of Doogal and Planes make abundantly clear, there is no secret formula for making a great animated kid’s film. But there are some key things to avoid if you want to make a movie aimed at youngsters that satisfies its target demo. Luck, the first feature from Skydance Animation, trips over several of these shortcomings, particularly overwhelming your young audience with too much expository dialogue. Adolescents want wonder and soaring emotion, not endless chatter about how a fictional world operates. Devoting so much time to lore is just one of the many ways Luck underwhelms compared to its potential.  Continue Reading →

鹿の王 ユナと約束の旅

SimilarEast of Eden (1955), Jackie Brown (1997) Rebecca (1940) The Name of the Rose (1986) The Outsiders (1983),
Watch afterEverything Everywhere All at Once (2022), Thor: Love and Thunder (2022),
MPAA RatingR

From the start, GKIDS' latest acquisition, The Deer King, can call itself the spiritual sequel to Princess Mononoke without fear. Like Studio Ghibli’s 1997 title, the adaptation of Nahoko Uehasi’s eponymous novel series also has world-building text about clashing factions and ancient magic unfolding over vivid forests and stirring music. One of this film’s directors, Masashi Ando, was a supervising animator for the other one. Wolves and elks are again the beasts with the most screen time. Continue Reading →

Thor: Love and Thunder

SimilarBack to the Future Part II (1989), Back to the Future Part III (1990), From Russia with Love (1963), Goldfinger (1964), Live and Let Die (1973) Sin City (2005), The Dark Knight (2008),
Watch afterJurassic World Dominion (2022),
StarringBrett Goldstein, Ray Stevenson, Stellan Skarsgård, Tom Hiddleston,
MPAA RatingPG-13
StudioKevin Feige Productions, Marvel Studios

It's no understatement to say that Taika Waititi's Thor: Ragnarok was a welcome shot in the arm for both the titular God of Thunder (Chris Hemsworth) and the Marvel Cinematic Universe as a whole. There's something to be said for cutting out the creaky Shakespearean grandeur of the first two Thors in favor of whiz-bang sitcom theatrics, with a dash of Guardians of the Galaxy's signature irreverence thrown in, all leather and ironic needle-drops and "well that happened"s. The result was a whiz-bang sci-fi action comedy that made a buttload of cash, extended Thor's lease on cinematic life, and catapulted Waititi into Hollywood's A-list. Continue Reading →

Strawberry Mansion

Strawberry Mansion has finally come home. Newly released on Blu-ray by Music Box Films, this astonishing motion picture benefits from a well-decorated physical release. In the depths of The Streaming Age, it’s a welcome reminder of the delights and comforts of home video. Continue Reading →

Neptune Frost

SimilarA Clockwork Orange (1971), A.I. Artificial Intelligence (2001), Fantasia (1940), West Side Story (2021), Willy Wonka & the Chocolate Factory (1971),
Watch afterThor: Love and Thunder (2022),

Elder statesman Saul Williams has never shied away from grandiose, multivalent projects. An early adopter of both democratic distribution methods and envelope-pushing indie noise-rap, his career has been typified by restless innovation and intimidating prolificacy. Co-directed with partner Anisia Uzeyman (her second feature), Williams’ directorial debut feature, Neptune Frost, arrives with an analogously charged and audacious context. Continue Reading →

Jabberwocky

Jabberwocky, Terry Gilliam’s solo directorial debut, is a fractured fairy tale of sorts that remains as bizarre and unique today as when it first hit theaters in 1977. It is ostensibly a PG-rated fantasy with all the elements one might associate with such a prospect. There’s (Spoiler Alert) a stalwart hero, a beautiful princess, a fearsome beast, a kingdom in peril, and a happy ending. However, it skews them in strange and occasionally gruesome ways until none plays out as expected. Although admittedly uneven in parts, the result is an undeniably entertaining and occasionally outrageous work. It serves as an impressively formed and executed debut of one of the era’s more compelling and unusual filmmaking voices.  Continue Reading →

Fate/stay night UNLIMITED BLADE WORKS

SimilarHitman (2007), Resident Evil: Apocalypse (2004),
StudioStudio Deen,

(This review is part of our coverage of the 2022 South by Southwest Festival) Continue Reading →

劇場版 呪術廻戦 0

SimilarHellboy (2004), Perfume: The Story of a Murderer (2006),
StarringKotono Mitsuishi, Marina Inoue, Shizuka Itoh,
MPAA RatingPG-13

Jujutsu Kaisen 0 is a darn-good adaptation of manga artist and author Gege Akutami's equally-darn-good dark fantasy shonen battle manga. Its protagonist is compelling, his peers likable, the villain hateful but not without shading. The action is excellent. Alisa Okezahama, Yoshimasa Terui, and Hiroaki Tsutsumi's score rules. The storytelling is overstretched in places, and narrative jumping during the climax gets frustrating, but 0 works far more than it doesn't. Continue Reading →

Turning Red

SimilarAs It Is in Heaven (2004), Bend It Like Beckham (2002) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), My Own Private Idaho (1991), Stranger Than Paradise (1984),
Watch afterDoctor Strange in the Multiverse of Madness (2022), Spider-Man: No Way Home (2021), The Batman (2022),
MPAA RatingPG
StudioWalt Disney Pictures,

Continue Reading →

劇場版 七つの大罪 光に呪われし者たち

MPAA RatingPG-13
StudioStudio Deen,

Sean Ellis' werewolf period piece is a humorless medley of conflicting approaches that somehow ends up dull. (This review originally ran as part of our coverage of the 2021 Sundance Film Festival, under the film's original title "Eight for Silver." We're re-releasing it to coincide with its new title and wider release date.) It’s a well-known shorthand to criticize a movie by saying that it “should have been a short film.” Depending on whom you ask, it might even be a cliché. How’s this as a change of pace? Sean Ellis’ The Cursed shouldn’t have been a short film as much as it should have been a short story. If it were on the page, its medley of approaches probably would have worked in its favor instead of against it. It would have left more to the imagination instead of what we get here. Most importantly, its inability to choose a cohesive method to suspense wouldn’t have been so glaring. For those looking for a slow burn, this werewolf tale is too reliant on cheap jump scares. For those in the mood for gore and a good time, it’s far too slow—stagnant, even. Add in its lack of self-awareness for what’s an inherently silly script and you get something that’s just dull. Continue Reading →

Pahanhautoja

(This review is part of our coverage of the 2022 Sundance Festival) Continue Reading →

Riverdance: The Animated Adventure

SimilarAs It Is in Heaven (2004), Volver (2006), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),

In 1996, a peaceful time of American prosperity between the Cold War and Twitter, music’s biggest things were imports. One was Canadian Queen Celine Dion, with her classic “It’s All Coming Back To Me Now” playing from car radios on constant rotation. The other was Irishman Michael Flatley who came to our shores with the step dancing phenomenon Riverdance.  Continue Reading →