70 Best Releases Translations Hebrew on Disney Plus (Page 2)

If the National Treasure movies had existed in the ’80s, Disney totally would’ve made a TV show spin-off in the ’90s. They would’ve shifted to younger (and cheaper) teenage actors and depicted them scouring the globe for treasures connected to significant historical landmarks. It would’ve made a decent, but not exceptional mark on pop culture back in the day and now sit close to the hearts of countless 25 to 35-year-olds.  Continue Reading →

"Avatar has no cultural relevance." "It's just Dances With Wolves with blue cat people." We've all heard the digs ever since James Cameron's 2009 opus hit theaters more than a dozen years ago, made all the money, and gobsmacked the Academy into giving it a Best Picture nomination. But even though it didn't immediately launch a franchise and give people (apart from a select few who took Pandora way too seriously) Avatar Fever, its impact was more subtle and quiet. Sure, it launched a mini-3D boom that leaked out into the early 2010s, but its most noticeable ripples came in its normalizing of a new suite of CG technology, radical motion capture and worldbuilding, and fully-formed digital environments that could genuinely transport viewers to another place. Continue Reading →

Disney released a “live-action” remake of Pinocchio earlier in the fall, which was greeted with the same indifferent to negative critical response their “live-action” remakes always receive. I put “live-action” in quotes because referring to them as such is a bit generous. They’re predominantly CGI, with barely enough human actors appearing to qualify as a regular feature rather than animation. As with the remakes of The Lion King and Aladdin, beyond the fact that there was simply no reason for it to exist, Pinocchio smacked of cynicism, and sent a clear message to audiences: we can keep making the same thing over and over, and you rubes will pay to see it.  Continue Reading →

One thing you can say about Christmas and the Guardians of the Galaxy is that both tend to go a bit over the top. One’s affection for either depends greatly on how you feel about a good thing taken to excess. For this critic, The Guardians of the Galaxy Holiday Special hits that delicious “too much, but I can’t help but like it” sweet spot like seconds on the pecan pie. Continue Reading →

“Not great, not terrible.” Continue Reading →

How do we move on from a devastating loss? A close friend, a family member, a spouse -- or, in the case of Wakanda Forever, the twin losses of both Chadwick Boseman (who died unexpectedly in 2020 of colon cancer) and the character of T'Challa, King of Wakanda and the reigning Black Panther. But rather than recast T'Challa for the sequel (a movement that has itself garnered quite a lot of attention leading up to this), writer/director Ryan Coogler chose the harder, more innately interesting path: Follow a world, a people, a family without the nucleus around which they orbited. See what the world of Black Panther does without its central figure, and watch the mighty ensemble of Black women around him scramble to pick up the pieces of their lives and figure out what to do next. Continue Reading →

Part of the joy of Star Wars: The Clone Wars was that it could go anywhere. One week, you could watch physical manifestations of the light and dark sides of the Force duke it out with Anakin Skywalker and Obi-Wan Kenobi. The next, a multi-episode arc about a tiny frog alien leading a bunch of misfit droids on a wacky mission. The quality wildly varied from episode to episode, not really hitting its stride until season 2. However, big swings in tone and creative influence ensured even the weakest installments demonstrated admirable ambition. Continue Reading →

For the brave trick-or-treaters who venture to the front door of the old abandoned MCU Manor, a spooky treat awaits. All courtesy of one of Marvel’s more obscure characters—Werewolf by Night. Continue Reading →

The original Hocus Pocus has grown to be a cult favorite over the years. The 1993 film followed the Sanderson sisters: Winnie (Bette Midler), Mary (Kathy Najimy), and Sarah (Sarah Jessica Parker) as they terrorized Salem, Massachusetts after rising from the grave—until their apparently eternal banishment the end of the film. Now, in 2022, the Sandersons have been resurrected by the corporate magic of Disney. Luckily, Hocus Pocus 2’s spellweaving will delight both nostalgic fans of the original and draw in a new crowd of young fans. Continue Reading →

Thanks to all the pre-release press with show creator and head writer Jessica Gao, viewers already know what She-Hulk: Attorney At Law won’t be: a courtroom dramedy. Unfortunately, after the first episode, “A Normal Amount of Rage,” it isn’t clear what kind of show it will be either. Continue Reading →

Our final dispatch from Fantasia features a blend of powerful stories with dynamic female characters. (This dispatch is part of our coverage of the 2022 Fantasia Film Festival.) There is perhaps no more literal or better example of Fantasia's killer run of female-centered stories this year than Amanda Kramer’s kaleidoscopic Give Me Pity! Following Sissy St. Claire (Sophie Von Haselberg) for her singular Saturday night special, this remarkable feat of staging and performance is a golden, glittery, and gothic descent into the twisted psyche of a performer desperate for acceptance. At once a TV concert, sketch show, and dramatic showcase, Give Me Pity shows off the exhaustive range of its visionary director and solo star. Continue Reading →

The recent Marvel Cinematic Universe movies have gotten enormous in scale. It’s no longer only Avengers installments that span multiple planets and involve countless superheroes. Doctor Strange in the Multiverse of Madness explored multiple alternate dimensions, while Eternals concluded with a massive robot emerging from one of Earth’s oceans. Even the Earthbound Spider-Man: No Way Home made room for multiple Spider-Men. Continue Reading →

It's no understatement to say that Taika Waititi's Thor: Ragnarok was a welcome shot in the arm for both the titular God of Thunder (Chris Hemsworth) and the Marvel Cinematic Universe as a whole. There's something to be said for cutting out the creaky Shakespearean grandeur of the first two Thors in favor of whiz-bang sitcom theatrics, with a dash of Guardians of the Galaxy's signature irreverence thrown in, all leather and ironic needle-drops and "well that happened"s. The result was a whiz-bang sci-fi action comedy that made a buttload of cash, extended Thor's lease on cinematic life, and catapulted Waititi into Hollywood's A-list. Continue Reading →

v Katia Conrad and Maurice Krafft grew up in Alsace, France and fell in love at nearly the exact same time, twice over. First, they fell in love with volcanoes, and then they fell in love with each other. Sara Dosa’s new documentary about the power couple volcanologists, Fire of Love uses Dosa’s exquisite prose, the Kraffts' own footage, and Miranda July’s narration to bring their love to life on screen.  Continue Reading →

A movie based on Buzz Lightyear seemed inevitable, didn’t it? Toy Story is Pixar’s flagship franchise, and an action-packed sci-fi movie is primed for merchandising opportunities. There’s no way The Mouse could resist making a spin-off featuring the beloved fictional action figure.  Continue Reading →

The more things change, the more they stay the same. For the latest example of this phenomenon, notice how, 34 years after Who Framed Roger Rabbit? changed movies forever, moviegoers are getting another comedic mystery hinging on live-action humans interacting with famous cartoon characters. The shadow of Zemeckis' revolutionary blend of filmmaking styles looms large over its modern-day thematic successor, Chip ‘n Dale: Rescue Rangers.  Continue Reading →

Much of the pre-release publicity about Moon Knight focused on the heightened brutality of the new MCU on Disney+ series. In doing so, all involved failed to mention how much stranger it would be than the average MCU streamer. Continue Reading →

Continue Reading →

Ice Age’s creativity melted away so long ago that it may as well have vanished at the end of the actual Pleistocene. The series’ diminishing returns culminated in 2016’s disastrous Ice Age: Collision Course, a picture that made the name Ice Age synonymous with “empty cash grab.”  And yet, as paleontologists do, Disney’s gone to dig it up. But rather than, say, exciting discoveries about the lives and times of woolly mammoths, all that the excavation of Ice Age has resulted in is another crummy movie: The Ice Age Adventures of Buck Wild. Continue Reading →