97 Best Releases Translations Danish on Amazon Prime Video (Page 3)

When Christoph Waltz is at his best playing a villain in films like Inglorious Basterds, he presents as gentle and almost naively sweet before revealing an endless capacity for cruelty. At his worst, as with his Blofeld, he presents as all menace and violence and ends up with the effectiveness of a kitten. The former is delightful to behold; the latter can crash an entire film. Unfortunately, The Consultant forces Waltz to be the menacing kitten. Continue Reading →

One of the biggest downsides of making such gorgeous, sprawling fantasy television epics is the agonizing wait between seasons. This is acutely felt at Amazon, in particular, as they seem to have cornered the fantasy television market. Fans are already gnashing for a new season of big-budget offerings like The Wheel of Time, and Lord of the Rings: The Rings of Power. Of course, no show has suffered more for the delays than Carnival Row Season 2. Season 1 aired in 2019, an interminable wait for any dedicated viewer.   Continue Reading →

The market for romantic comedies surrounding weddings is right up Jennifer Lopez's avenue. Last year it was Marry Me. Before that, it was The Wedding Planner. But whether she was piercing hearts with her eyes in Out of Sight, or turning up the heat with her performance in Hustlers, Lopez continues to surprise us with her versatility. Shotgun Wedding is more com than rom, allowing Lopez to exercise her killer comedic timing, along with an all-star cast present for a destination wedding that goes sideways. Continue Reading →

In many ways, M3GAN is as much about its marketing as it is about the movie being marketed. That's hardly a revelatory statement, especially when it comes to horror films: Studios and producers have breathlessly promised thrills and chills with ever more outrageous gimmicks ever since the days of William Castle offering life insurance policies for audiences who "die of fright." With Blumhouse's M3GAN, the secret lies in its titular robo-tot, a cutesy android with snatched wig, Union Jack dickie bow, and murderous dance moves primed for TikTok virality, all of which have been over the film's marketing for months now. So it's a relief to learn that M3GAN has bite to go with its meme-ready bark, a horror-comedy as much about the ways we use technology to fulfill every human need as it is a sassy robot tween popping and locking with a paper cutter in its hand. Continue Reading →

As conceived in the 1987 Tom Clancy novel The Hunt for Red October, Jack Ryan was an antidote to the typical hypermasculine action hero that had gripped pop culture. Despite a tour in the Marines, he was an intellect-first guy who only ended up in the field because he outthinks everyone else. Unfortunately, Tom Clancy’s Jack Ryan season 3 is a reminder that that version of the character ceased to exist long ago. Continue Reading →

Ambulance Michael Bay, whose 1990s actioners are—for good and ill—iconic parts of the decade’s cinema, and whose 2000s and 2010s work is reliably fascinating (from the terrific Pain & Gain to the baleful Transformers: Revenge of the Fallen) delivers a bombastic chase movie that doubles as a damn good character study. Loving but criminal brothers (Jake Gyllenhaal and Yahya Abdul-Mateen II) take an ambulance hostage to escape a heist gone sideways. Along for the ride are a masterful EMT (Eiza González) resigned to personal apathy, and a critically injured cop (Jackson White). Amidst the carefully shaped chaos of burnt rubber and bullets, Bay makes space for Gyllenhaal (frenzied and in denial about how badly everything’s gone) Abdul-Mateen II (trying to keep cool even as that becomes impossible) and González (who must break out of her self-built walls if she is to survive) to bounce off each other in a pile of compelling ways. [JH] Continue Reading →

Babylon is a frenetic crash course in Hollywood history that plays fast and loose with most of its facts. However, it still paints a vivid portrait of Tinseltown from its birth to the behemoth it is today. You won’t find the meticulous and mind-boggling commitment to detail of Mank (most of Margot Robbie’s costuming looks more 2010s than 1920s). Still, director and screenwriter Damien Chazelle is less interested in getting everything right than translating that history into something an audience can feel in their bones. Continue Reading →

It’s Christmas time, and a man at the breaking point finds himself at the wrong place at the wrong time. But he isn’t retired cop John McClane this time. Instead, it’s Saint Nick with a sledgehammer he’d like to swing into your bowl full of jelly. The premise of Violent Night is simple (Die Hard but with Santa), and the filmmakers mostly pull off the kill-fest thanks to some game performers and one inspired sequence.   Continue Reading →

For most people contemplating going to see She Said, the screen adaptation of the 2019 best-seller by New York Times reporters Jodi Kantor and Megan Twohey chronicling their ground-breaking investigation of Harvey Weinstein, three questions may come to mind. How graphic is the film going to be regarding the crimes he perpetuated over the years against hundreds of women unfortunate enough to cross his path? How will it handle the representation of the well-known personalities who were critical elements of the story, ranging from Weinstein himself to the famous actresses who were among his victims? Finally, as films chronicling journalists as they break hugely important stories go, how does it stack up against the likes of All the President’s Men, still the gold standard of the genre, or more recent examples like Spotlight or The Post? Continue Reading →

“Out there, back then…” That’s when The English takes place. “And in between…I wanted to kill a man for the murder of my child. You wanted back your land, stolen from you.” That is what The English is about. Continue Reading →

North Carolina, 2032. Flynne Fisher (Chloë Grace Moretz) is a skilled gamer. Pro gaming (usually helping some rich schmucks win victories they couldn't on their own) is a viable way for her and her cyborg'd-former-Marine brother Burton (Jack Reynor) to earn extra cash. They live with their ailing mother Ella (Melinda Page Hamilton) a half-step ahead of financial ruin in a town more or less run by spiritual-cousin-to-Road-House-villain-Brad-Wesley Corbell Pickett (Louis Herthum, Westworld). Continue Reading →

Near the beginning of Bros, Bobby Lieber (Billy Eichner) meets with a Hollywood executive. The exec wants our protagonist to write a script for a gay rom-com. The executive is after something easy, a script that is palatable to straight audiences, a story about “nice gay guys.” Bobby, of course, isn’t having it. He tells the executive that gays have different stories than straight people before leaving, movie deal dead in the room.   Continue Reading →

Ask someone if they’ve seen 2014’s Goodnight Mommy, and if their immediate response is to shudder, you’ll know they have. The Austrian cult horror film combines so many tropes – psychological horror, body horror, paranoia, twins, creepy kids, creepy moms, etc. – that it seems like it should be an incoherent mess, but is instead a tightly paced, relentless assault on the nerves. Even the trailer is creepier than many mainstream horror films, while only showing a tiny bit of how bad things get in it. Continue Reading →

In the opening seconds of Baz Luhrmann’s Elvis, viewers are blasted with the sight of the Warner Bros. logo – a variant glowing in gold and crimson, practically exploding with flair and moving parts – accompanied on the soundtrack by a remix of “Suspicious Minds.” Within the first few minutes, sweeping shots of Las Vegas clash with Ocean’s 11-style split screens, and the editing juggles between slowmo and cranked-up fast motion, in classic Luhrmann fashion. Continue Reading →

Navy Captain Peter "Pete" Mitchell, callsign "Maverick" (Tom Cruise) is a living legend. He is the only man to have shot down multiple enemy planes in the modern era of combat aviation. From the F-14 Tomcat to bleeding-edge skunkworks stealth plane prototypes, there is nothing he cannot fly, nothing he cannot (or more accurately will not) push past the fabled Danger Zone. Continue Reading →

In the last 15 years since 2008's Taken, Liam Neeson has become an action hero for men over 50. Now 69 years young, Neeson continues to star in these action-focused B-movies, each riffing on the previous one. Steady paychecks seem to be cashed by the Irish actor. Filmmakers line up to direct fights in trains, planes, cars, parking lots, hospitals--anywhere there might be an ounce of criminal activity.   Continue Reading →

Jabberwocky, Terry Gilliam’s solo directorial debut, is a fractured fairy tale of sorts that remains as bizarre and unique today as when it first hit theaters in 1977. It is ostensibly a PG-rated fantasy with all the elements one might associate with such a prospect. There’s (Spoiler Alert) a stalwart hero, a beautiful princess, a fearsome beast, a kingdom in peril, and a happy ending. However, it skews them in strange and occasionally gruesome ways until none plays out as expected. Although admittedly uneven in parts, the result is an undeniably entertaining and occasionally outrageous work. It serves as an impressively formed and executed debut of one of the era’s more compelling and unusual filmmaking voices.  Continue Reading →

A woman wanders a vast and empty house. Her eyes well with confusion as she seems to disappear through walls. She’s a specter in her own home, unfamiliar amongst what should be the most familiar. But she’s not a ghost. She’s just lost.  Continue Reading →

Everything Everywhere All at Once is glorious. Continue Reading →

As the discourse rages over how tame the mainstream movie scene can be—with its sexless heroes and bloodless violence—it can be tempting to elevate any film that hearkens back to "the good old days" of sex and slashers just for the sake of its own supposed transgressiveness. But luckily, Ti West's X largely earns that title, a playful and idiosyncratic ode to both ends of the '70s sleaze cinema spectrum (hardcore porn and Wes Craven-esque slashers) alike. Not only that, it's blissfully literate towards its influences, with a nod to larger points about the aesthetics and politics of desire, the fetishization of youth, and so much more. Continue Reading →

The love of an animal can be transformative. The mix of companionship and responsibility that taking care of a pet entails can help create stability in an otherwise chaotic life. So it's no surprise that several movies explore the relationship between humans and canines. Continue Reading →