231 Best Releases Translations Czech on Netflix (Page 10)

The Patton Oswalt-narrated Netflix docuseries tells a compelling story about the endangered birds' life during their molting and mating season. “Six hot months! One wild colony! No rules!” With this reality show-esque tagline, Netflix’s Penguin Town appears to be a quirky, comical twist on nature docuseries. They even pulled in comedian Patton Oswalt to narrate. Penguin Town follows the adventures of a wild cast of African penguins. As the series progresses however, dramatic events unfold, pulling the audience in for an emotional trip alongside the endangered birds. The series follows the journey of African penguins as they hit land on the shores of Simon’s Town, South Africa. Here the birds live it up amongst the “giants” (aka humans) of the town, molting their feathers, hooking up with their mates, and hopefully raising some hatchlings before they depart. This may sound like spring break for penguins, but their time at the beach is anything but a vacation. These penguins fight off predators on land and in the sea, attempt to survive catastrophic weather events, all in the hope their species will survive and thrive. Continue Reading →

After a four-year absence, Master of None returns to Netflix with a new tone and new focus, but it still grapples with the same emotional beats of the first two seasons. This time around, creator Aziz Ansari focuses his efforts behind the camera, only appearing in two brief cameos in season three’s five-episode arc. Instead, all of the action is focused on Denise (Lena Waithe) and her partner Alicia (Naomi Ackie), who are rusticating in a cottagecore fantasy that not even TikTok could call sustainable. Rather than the buzz of traffic and the cramped quarters of the city, we see Denise and Alicia’s relationship develop against the bucolic splendor of open fields and towering trees. Continue Reading →

While Those Who Wish Me Dead is coming out in theaters this weekend (be safe, especially if you're not vaccinated!), it's probably the movie to benefit most from Warner Bros. pandemic-fueled decision to simultaneously throw their releases up on HBO Max. From stem to stern, Taylor Sheridan's latest feels like the kind of movie you'd find on old-school HBO in the '90s, or FX or TNT, watching with your dad over a holiday weekend. It's silly, forgettable schlock, and yet I can't get too mad at it. Continue Reading →

In the not too distant future, Las Vegas has become even more of its own world. A wall of armored shipping containers has sealed off the Entertainment Capital of the World. Sneering armed guards patrol a vicious hybrid of quarantine and refugee camp at the wall's edge. And on July 4th, on the orders of a dopey, malignant, unnamed president, Sin City will burn in nuclear fire. Why? The zombie apocalypse. Fortunately for the world, the plague of undeath was stopped in the sleepless city. With the zombies contained, Vegas was left to rot. But while the city crumbled, its infamous fortunes were preserved - sealed away in counting rooms, slot machines, and vaults. Why risk going in to retrieve it when insurance covers disaster (brain-eating or otherwise)? Because it's money. And that is the pitch Bly Tanaka (Hiroyuki Sanada) gives to haunted, lonely, zombie war hero Scott Ward (Dave Bautista).When Tanaka abandoned the Bly Casino, he left $200 million untaxable, untraceable dollars in its vault. If Ward assembles a team to go into Vegas, crack the vault, and retrieve the money, $50 million of the haul is his to do with as he will. Ward, a lost man searching for some sort of purpose and looking for a way to make things right with his estranged daughter Kate (Ella Purnell), agrees. Ward gathers his crew - his war buddies Maria Cruz (Ana de La Reguera) and Vanderhoe (Omari Hardwick), bitterly caustic helicopter pilot Peters (Tig Notaro), zombie-killing influencer Mikey Guzman (Raùl Castillo), Guzman's warrior pal Chambers (Samantha Win), oddball safecracker Dieter (Matthias Schweighöfer) and, at Tanaka's insistence, oily security man Martin (Garret Dillahunt). Kate, the mercenary coyote Lilly (Nora Arnezeder), and a loathsome guard called Burt (Theo Rossi) join them at the city proper. Continue Reading →

Hollywood's year-long hiatus on major comic-book adaptation movies has left ample room for streaming services to pick up the slack and then some. Amazon, for example, has wisely curated high-profile releases from existing superhero stories that subvert the genre in ways that would probably ring unfamiliar if attempted by the more mainstream Marvel and DC fare. The Boys is all about poking a gory hole in how superheroes can be vapid, unchecked, and even monstrous celebrities. Invincible just ended its first season with a bang of a finale, taking its colonizer version of Superman to task. And then there's the curious case of ‌Netflix's Jupiter's Legacy.  Continue Reading →

I sat down with Trapanese for a lengthy chat about the challenges of scoring an entire series of such grand scope, the creative inspirations he took from the books, and the interconnecting, interweaving musical motifs of the major characters. In a first for the podcast, Trapanese also provides commentaries explaining his process for the cues "Erase the Past" and "Royal Archives Heist." Continue Reading →

Japan. 1582. The samurai general Akechi Mitsuhide betrayed his liege lord Oda Nobunaga and sets his castle alight. Trapped by the blaze, Nobunaga elected to die by seppuku - ritual suicide. His friend and retainer Yasuke - a Black man and the first foreigner ever granted the rank of samurai - acted as his second. Not long after Nobunaga's death, Yasuke vanished from the historical record. Continue Reading →

Mere moments before the whole world shut down last year, I reviewed the Vin Diesel vehicle/comic adaptation Bloodshot. In that review, I talked about how the film often felt like a refuge from another time, an earlier era of superhero movies, and that there was a certain charm in that. Thunder Force similarly feels like a holdover from a different time, but as an anachronism, it offers far less charm. If Bloodshot felt like a pale but pleasant copy of films from the Raimi Spider-Man portion of the era, Thunder Force feels a bit more like Sky High’s cousin, obsessed with seeming more mature. Continue Reading →

Not many artists have stretches of greatness so profound that they transcend their medium. They’re not looked at as just a musician or athlete or director, but part of the fabric of modern pop culture at a particular time. What The Beatles meant to the 1960s, or what Michael Jordan meant to the 1990s, is how Francis Ford Coppola defined the 1970s.  Continue Reading →

After eight years of itchy, bland Catholic School uniforms, I was ready for a change. When I entered high school, I switched to one of the only public schools in the state of Louisiana that didn’t require a uniform. Now that I could dress how I wanted, I needed to make a splash. I wanted to show everyone exactly who I was and what I brought to the table. My 13 year old brain decided the best way to do that was wearing this t-shirt featuring the logo of Mr. Sparkle, the Japanese laundry detergent that uses Homer’s head as inspiration in the Season 8 episode of The Simpsons, “In Marge We Trust." Continue Reading →

During our pandemic lockdowns, who amongst us hasn’t recruited quarantined friends and family into a baking project beyond our experience? Now imagine the pressure of concocting an elaborate bake with a pal or family member for all the world to see. With Netflix’s Nailed It! Double Trouble, bakers pair up in teams of two to recreate extravagant bakes and win $10,000. While some elements have changed in this new season, host Nicole Byer still panics at the push of a button, chef Jacques Torres still imparts wisdom to the contestants, and the bakers reach new heights of spectacular cake fails. In the words of guest judge Ron Funches, “I love a good hot mess.” Nailed It! Double Trouble is the good hot mess we need, seeing twice the fun and chaos from amateur bakers. Continue Reading →

In the first three episodes of Season 4 provided to critics, Good Girls one begins to feel a creeping sense of the same. The “girls”—Ruby (Retta), Beth (Christina Hendricks), and Annie (Mae Whitman)—are still jockeying for power with Rio (Manny Montana). Beth is finding herself, once more, in a sexually charge situation with a known felon—this time a hired killer named Mr. Fitzpatrick (Andrew McCarthy)—while her husband Dean (Matthew Lillard) is left in the dark in that and so many other ways. Ruby and Stan’s (Reno Wilson) child, this time their son, is getting in trouble, the kind of trouble their criminal endeavors make both easier and harder to deal with. A zealous federal agent, Phoebe Donnegan (Lauren Lapkus), is closing in on them all, too. Continue Reading →

There’s a story from Tina Fey’s Bossypants where Fey recalls a moment between Saturday Night Live castmates Amy Poehler and Jimmy Fallon. Poehler was cracking jokes, and Fallon feigned mock horror and commented “It’s not cute. I don’t like it.” Poehler reacted with “I don’t fucking care if you like it.” Poehler brings that “riot girl” attitude to her new film Moxie, a film adaptation of the 2017 book by Jennifer Mathieu. Moxie is a fun revolutionary take on the high school movie, even if it takes a while to find its footing. Continue Reading →

Guillermo del Toro’s 2013 sci-fi blockbuster Pacific Rim certainly has its core group of dedicated fans, but I was never among them. The characters fell flat, the jokes never landed, and even the action sequences lacked suspense. Far from the worst action films, but also nowhere near among the most memorable, I went into Netflix’s anime twist on the story with a healthy dose of skepticism. Continue Reading →

If you’re like me, you may be surprised to find that one of Netflix’s most enduring original franchises is Last Chance U, a documentary series chronicling football players as they juggle sports and academics. Though the show ended after a four-season run last year, Netflix isn’t one to let a recognizable brand name rest. Last Chance U has returned in the form of Last Chance U: Basketball, which shifts the focus from the Friday night lights of football to the indoor basketball fields of East Los Angeles Community College. Continue Reading →

While Netflix’s Ginny & Georgia (created by Sarah Lampert) has so far been hailed as a sort of edgier Gilmore Girls, the new young adult series arguably has more in common with Richard Benjamin’s Mermaids (1990), starring Cher and Winona Ryder. In essence: what if Cher’s Mrs. Flax kept two pistols in the house? Continue Reading →

Pelé is the kind of sports figure it feels like you’re just sort of born having some knowledge of. I couldn’t tell you why I know who Pelé is, particularly as an American with a serious aversion to sports, but I knew he was one of the greatest, if not the greatest, soccer players of all time. I seemed to have absorbed the information out of the ether. But the new Netflix documentary Pelé (not to be confused with the 2016 biopic) corrected that. Continue Reading →

The apocalypse is never further from our minds in science fiction, to the point where any civilization set after mankind's inevitable collapse invariably lands on a host of tropes and conventions touched on by a million stories before it. Tribes of Europa, Germany's latest addition to Netflix's sci-fi television stable after the incredible Dark, makes the head-scratching decision to use all of them. There's a Mysterious Cataclysm that knocks out all technology, roving bands of survivors battling each other for resources and power, a Magic MacGuffin that might lead to salvation and must be protected at all costs, the list goes on. And yet, there's an ineffable charm to the six too-brief episodes of its inaugural season, chiefly due to the stalwart effects work and production design, and game performances from a cast that recognizes the story's innate schlock factor. Continue Reading →

Following off the success of Bridgerton, the next bestseller to be spun into Netflix gold is Sarah Pinborough’s Behind Her Eyes, a book that was so aggressively marketed around its super-secret third act twist that early readers were encouraged to use the hashtag #WTFthatending. They aren’t kidding. WTF that ending, indeed.  Continue Reading →

In the wide world of algorithmically-derived Netflix teen romantic comedies, surely one of the finest was 2018's To All The Boys I've Loved Before, the syrupy-sweet story of adorable bookworm Lara Jean Covey (an always-radiant Lana Condor) and her shockingly-resilient relationship with too-good-to-be-true-except-he-is jock Peter (Noah Centineo). The film did well enough to spawn an entire trilogy based on Jenny Han's YA romances; while the second, To All the Boys: P.S. I Still Love You, still had its fair share of charms, it started to show the cracks in the sunny, conflict-free firmament of Lara Jean's fairy tale romance. Now, the trilogy closes with To All the Boys: Always and Forever, and this time, the decision isn't between Peter and some other boy: it's between Peter and the rest of her life. Continue Reading →

Rebecca Hall adapts Nella Larsen's novella about Black social mobility (and its corresponding resentments) to haunting effect. (This review is part of our coverage of the 2021 Sundance Film Festival.) Nella Larsen's 1929 novella Passing is a fascinating text, a frank but elegant discussion of the intersections of race, class, and gender as cold and delicate as its subject matter. It makes sense, then, that Rebecca Hall's adaptation is similarly airy and ominous, an intimate portrait of resentment and racial/social mobility set amid the stifling backdrop of 1920s New York. Continue Reading →