Robert Altman’s swan song remains a mesh of spontaneity and character detail further lifted by its ensemble cast.
Philip Seymour Hoffman’s final role, as a CG-assisted reprise in the final Hunger Games films, is more a commemoration than a performance.
Spike Lee’s hamfisted misfire throws everything at the kitchen sink – income inequality, Watergate, lesbian stud service – and none of it sticks.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
Linklater’s darkest film continues to baffle & mesmerize viewers more than 10 years later.
An early Quentin Tarantino screenplay is turned into an over the top look at America’s obsession with crime & criminals.
Despite its intent, racism with a laugh track falls flat in the current political climate.
Recounting the tale of the men who hunted down Bonnie and Clyde, The Highwaymen is far too trite and hokey for its own good.
It’s messy and more than a little overlong, but Disney’s latest Star Wars prequel manages to coast by […]