We speak to the director and writer/star of Chicago Critics Film Festival’s opening night film about the disturbing timeliness of their Chicago-set drama.
Amy Poehler’s directorial debut is filled with hilarious women, but this attempt at a female Sideways doesn’t quite hit the right notes.
We take a look at the ways Pam Grier, Tamara Dobson, and other blaxploitation stars elevated their iconic characters beyond white-written stereotypes.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, […]
Kirby Dick’s documentary on the evils of the medical device industry is a shocking call to action, stressing […]