Reviews “Southland Tales: The Cannes Cut”: still bizarre, still flawed, still shining By: Justin Harrison Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.
Features How “A Master Builder” Stumbled in Its Journey From Stage to Screen Jonathan Demme's penultimate film is well-made and features excellent performances, but suffers in scope.