James Ashcroft’s hostage horror is nought but bland, sour sadism.
Mahalia Bello’s study of the end of slavery in Jamaica, “The Long Song” is incisive, insightful and prioritizes the humanity of the enslaved.
The iconic role-playing game gets a stylistic, narrative-focused update that expounds and confounds in fascinating ways.
The latest film from the French master is a piercing look at the state of publishing and mass media wrapped up in relationship drama.
Whether on the cinema of New York, Wes Anderson, or creatures of the night, the venerable film magazine has you covered.
Rupert Wyatt’s dark sci-fi allegory about a Chicago occupied by sinister alien forces features some smart, subversive sequences but lacks strong characters.
One of The Orville’s most explicitly comedic characters gets his moment in the sun with a familiar, nuanced episode about the lingering animosity of war.
The Orville tries its hand at big-time space spectacle in a more action-heavy hour, with the entire Union at stake.
The Orville gets Serious this week, with the first part of a two-parter that intriguingly complicates one of the show’s most mercurial characters.
From droll Heathers homages to docs about pioneering female sailors, Matt Cipolla breaks down his first day at Sundance.
The Orville crew butt heads with a world that shuns people based on their Zodiac sign, in a premise straight out of Star Trek: The Next Generation.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.
Bryan Cranston and Kevin Hart serve up surface-level schmaltz in this treacly disabilities drama.
The Jane Fonda-Lily Tomlin Netflix sitcom stumbles a bit as it enters its golden years.
Netflix’s bittersweet tale of talking animals and the vagaries of celebrity returns for a thoughtful fifth season filled […]
Rudiger Suchsland’s second documentary on the cinema of Hitler’s Germany takes a fascinating, if surface-level, look at the […]