The temporary shutdown of public life that’s happening amid global coronavirus conditions has led to a standstill at the box office.
pixar
With Pixar having one of their lowest openings yet, the box office experienced one of the worst weekends for this time of year in over a decade.
Pixar gets back to its tear-jerking roots with an emotionally complex modern fantasy about grief, loss, and brotherhood.
From live-action to animated to documentaries, we flip through the Academy Awards’ shorts offerings to see what we think should win.
The Seth Rogen-produced kiddie-raunch comedy starts strong, in an August that’s been largely underwhelming for the box office.
The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
Disney’s latest live-action remake ruled the kingdom, and other kid-friendly fare made a solid showing.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
This weekend’s box office bode ill for Pixar’s Toy Story 4, which performed under expectations, and Child’s Play kicks off a modest opener.
Pixar’s fourth trip into the toybox opens up fascinating existential questions while maintaining its delightful core of childlike whimsy.
From the latest Marvel trailers to the upcoming Amazon/Hulu shows, the Super Bowl was a cavalcade of anticipated TV spots.
Brad Bird’s 2018 sequel offers more of the same superhero fun as the original, but brings along some […]