The late filmmaker’s final project was hosting a warm & fascinating look at her extraordinary seven decade career.
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Pedro Costa’s minimalist, based on real events drama is short on plot and long on the relentless weight of living.
Romania’s Corneliu Pourumbiou bogs down excellent production design in droopy, exposition-heavy noir trappings.
Brazil’s bloody modern Western is occasionally baffling, but never boring.
Nadav Lapid’s latest film loads its narrative with impactful stories about masculinity, language, and nationality.
Pedro Almodóvar graces us with a shaggy but rewarding portrait of a middle-aged director wrestling with his demons, with an arresting turn by Banderas.
Martin Scorsese returns with another long, sumptuous opus, whose crackling performances and scintillating script are held up by some wonky de-aging tech and a leaden runtime.
