Guillermo del Toro’s criminally overlooked ode to Daphne du Maurier turns five, and it’s as potent as ever.
The director’s sole English-language film to date is a simmering, occasionally empty exercise in Hitchcockian style.
Glib in concept and garish in emotions, Gus Van Sant’s quirk-fest is a testament to just how grating the Manic Pixie Dream Girl trope can be.
Every artist has their muse, but sometimes that relationship grows toxic and strains – with Tim Burton and Johnny Depp, that moment appears long passed.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.
The Chicago Film Critics Association’s 6th annual film festival (May 4-10) features some of the year’s best films […]