Ryan Murphy executive produces an origin story no one asked for, with more hollow camp than anyone needs.
Kurtis David Harder’s new horror allegory can’t sustain its political or narrative ambitions despite a few spooky moments.
We look inside the Gothic influence and drag legacy of Eiko Ishioka’s Oscar-winning costumes for Francis Ford Coppola’s vampiric masterpiece.
Gerard Bush & Christopher Renz’s feature debut is a misguided, crass, often silly tale that throws away its cast and premise.
Ruby gets a taste of how the other side lives in an aimless, disappointing episode.
Add McG’s execrable slasher sequel to the pile of tragedies 2020 has foisted upon us.
Six months into COVID and the other anxieties of 2020, the apocalyptic cloak of horror might just be what we need to weather them.
Phantoms trouble the survivors of Ardham in an outstanding episode that pays homage to classic haunted house movies.
An interesting concept is buried under limp writing and under developed characters.
The homage to 80s vampire flicks commits the mortal sin of being boring.
Atticus & the others learn the secrets of Ardham Lodge in an episode stuffed with enough plot for three episodes.
Argentina’s haunted house movie has plenty of atmosphere, but feels underwritten.
Jay Baruchel’s adaptation of the 2010 comic is an ugly attempt at social commentary that lacks irony or emotion.
Park Chan-wook’s take on vampire movies is bleak, creepy and undeniably sexy.
Tarsem’s sci-fi/horror/serial killer drama suffered from an implausible plot, but remains a feast for the eyes.
William Peter Blatty’s third entry in the vaunted horror series had a rocky road to the screen, and deserves its own stab at salvation.
Monsters of all shapes and sizes are introduced in the gripping premiere episode of HBO’s new horror series.
Ivo Van Aart’s uneven black comedy/thriller about a vengeful writer is ultimately more style than substance.