Christopher Landon is back with another gleefully gory twist on the slasher genre, with a fun Vince Vaughn at the center.
Yoon Een-kyoung’s haunted house chiller falls short of its K-horror expectations.
Initially a box office flop, Kathryn Bigelow’s stylish horror-Western became an iconic cult classic.
Writer-director Justin Dix pits WWII shipwreck survivors against monsters in a sometimes too restrained but fun horror adventure.
Timo Tjahjanto brings his maximalist sensibilities to a followup that tries to be several different horror movies at once.
Jacob Chase’s new horror film balances eery scares with a human core before it starts to teeter off the rails by the end.
Remy Weekes’ haunting debut elegantly balances bone-chilling atmosphere with more socially relevant scares.
Though it loses its steam in the second half, Shudder’s adaptation of Stephen King & Joe Hill stories is perfect holiday viewing.
A bona fide example of ’80s trash horror, Jim Wynorski’s tale of killer robots and horny teens is its own kind of therapy.
The Shudder exclusive moves from promising to prosaic to problematic in its runtime.
Fates are sealed & futures are secured in a talk-heavy but satisfying conclusion.
Guillermo del Toro’s criminally overlooked ode to Daphne du Maurier turns five, and it’s as potent as ever.
Sam Raimi trades scares for slapstick in the thin-but-entertaining third entry in the Evil Dead series.
A cursed Indian family and a musician undone by ambition end Blumhouse’s Amazon anthology on uneven footing.
Ryan Spindell’s anthology isn’t the deepest slice of horror, but its glossy sense of fun carries it along.
Jesse Blanchard writes & directs an all-puppet horror comedy that slightly overstays its welcome, but is always fun.
This spooky season, we glance back at one of two horror movies Philip Seymour Hoffman did.
The penultimate episode takes a trip to the past, & is another powerful, sobering highlight of the season.