Brienne gets knighted, Arya checks something off her bucket list, and Dany reckons with Jon’s parentage in another leadup to Game of Thrones’ big battle.
horror
With “Winterfell”, Game of Thrones starts its final season with a reorienting premiere, complicating alliances and setting up conflicts.
We interview the Starfish director about making his first feature, paying homage to a close friend, the film’s Silent Hill nods, and more.
Comparisons to A Quiet Place are the least of the problems in this cheesy, poorly paced apocalyptic horror film.
Emma Tammi’s directorial debut stumbles a bit in its supernatural aspects, but the horror Western has plenty of creepy atmosphere to spare.
The Wind director sits down for a podcast interview to talk about her feature debut’s feminist horror deconstruction of the Western.
Initially faithful to the source material, Kevin Kolsch and Dennis Widmyer’s take on the Stephen King classic goes in a new and creepier direction.
RELAXER’s director sits down to talk about video games and the horrors of Y2K.
Twentieth Century Fox aired four of its six upcoming anniversary shorts at C2E2 this weekend, xenomorphs feasting on space truckers and scientists alike.
By channeling Burton’s outsized whimsy into something darker, consistent, and more constrained, Sweeney Todd succeeds in ways his other adaptations fail.
Joel Potrykus’ comically grim indie shows the grotesque end result of staying on your couch playing video games all day.
Situated halfway between Tim Burton’s Gothic beginnings and contemporary epics, Sleepy Hollow is a forgotten, thoroughly enjoyable Hammer Horror homage.
Henry Selick’s stop-motion holiday fable is a spooky classic, thanks to Tim Burton’s macabre quirks and an array of catchy tunes.
Bloody and queer in equal measure, Knife + Heart is a searingly intriguing gay porn slasher from Yann Gonzalez about horror, love and allyship.
The composer of the upcoming SXSW-bound horror comedy talks about her rock career, the Sundance Film Music and Sound Design Lab, and scoring with her voice.
Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.