Peter Strickland’s frigid, Freudian fever dream looks at fetishism and consumerism with a killer sense of style.
Apple TV+ adds another just okay series to its lineup, psychological horror produced by M. Night Shyamalan.
Alex Garland’s contemplative sci-fi stories imagine a world where destruction and liberation go hand in hand.
Your dad’s favorite racing movie races to a $31.5 million opening weekend.
The Stephen King sequel checks out with a disappointing opener, but Roland Emmerich’s WWII epic flies high.
Remembering when Tom Cruise defied audience expectations in a campy, sumptuous adaptation of Anne Rice’s vampire soap opera.
Mike Flanagan’s latest is equal parts Stephen King adaptation and Stanley Kubrick sequel, and can’t quite bridge the gap.
Travis Stevens’ funny & creepy haunted house movie pits toxic masculinity against vengeful female ghosts.
Hell hath no fury like a feral woman scorned in Adolfo Alix Jr.’s beautiful but baffling revenge horror film.
The precursor to “Dracula” gets a sumptuous if not entirely faithful film adaptation.
Alice Furtado’s obsessive teen romance-horror is long on atmosphere, and lean on everything else.
Johannes Nyholm’s surreal horror endurance test traps a grieving couple in a nightmarish version of “Groundhog Day.”
Adam Egypt Mortimer’s bleak second feature depicts mental illness as an supernatural battle for one’s soul.
At CIFF, we take a look at religious drama Maternal, episodic romantic dramedy Babyteeth, German potboiler Lara, and historical queer horror Carmilla.
The director of the extensive ’80s horror doc “In Search of Darkness” sits down to talk about nostalgia, gore, and the appeal of scary movies.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
Robert Pattinson and Willem Dafoe crash upon the ramparts of Robert Eggers’ disquieting followup to The Witch.
Upstream Color’s Shane Carruth stars in a haunting, atmospheric horror film about what lies beyond the pale.