Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.
Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.
Diane Franklin and Paul Ben-Victor play the doomed DeFeos in yet another Amityville remake that’s content to run (and scare) in place.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
Documentary filmmaker Penny Lane sits down with us to talk about her latest, THE PAIN OF OTHERS.
Like a hammer through a window, Glass shatters whatever goodwill M. Night Shyamalan had once recovered.
With Glass coming out, we plumb through our collective psyches to discuss Brian De Palma’s split-personality thriller Raising Cain.
For our first episode, we talk to the director of Netflix’s camgirl thriller CAM about finding horror and empathy in online sex work.
January kicks off in earnest with an inventive, if stock, puzzle-box horror flick.
Netflix’s dystopian horror has Sandra Bullock fleeing a horror that will kill you if you see it.
Director Daniel Goldhaber and screenwriter Isa Mazzei explore the complexities of online sex work with a fascinating thriller […]
The JJ Abrams-produced Nazi zombie flick provides plenty of schlock and scares, but stumbles over its own rotting […]
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
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Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, […]
This piece was originally posted on Alcohollywood In my last post I suggested that the unofficial theme for […]