Shudder’s 5 part docuseries is a brief but fascinating look at the urban legends and true life tragedies of classic horror films.
Spike Lee’s Kickstarted remake of Ganja & Hess is more interesting than its negative reception belies.
The underrated horror master died yesterday at age 72, leaving behind a filmography that’s rewarding but not for the weak of heart.
A comprehensive guide to the streaming films you should watch as you quarantine from the coronavirus.
Claire Oakley’s feature debut blurs the line between supernatural dread and human drama to make for a quiet […]
Thirty years on, the Kevin Bacon monster-Western remains a giddily effective creature feature.
With Pixar having one of their lowest openings yet, the box office experienced one of the worst weekends for this time of year in over a decade.
Apple TV+’s reboot of the Spielberg-created anthology series gets off to a lackluster start.
A touching, sensitive documentary traces actor Mark Patton’s journey from horror icon to self-imposed obscurity and back again.
A $29 million take spells success for the low-budget Universal horror film, proof that the Blumhouse model works.
After 28 years, two sequels, and now with a reboot coming this June, Bernard Rose’s look at racial and economic disparity lingers the most in how it skewers the myth of the white savior.
Jeff Wadlow’s adaptation of the late-’70s TV show is a thrill-free getaway that only entertains when it goes from generic to incoherent.
Grizzled veterans go up against a drug dealer’s zombie-like henchmen in Joe Begos’ gory, fast paced action-horror film.
Alexandre O. Phillippe sits down for a long, insightful chat with the legendary filmmaker.
John Carpenter’s tribute to campfire tales, initially a critical flop, is now a gold standard of tightly paced, bone-chilling horror.
Netflix’s adaptation of the Joe Hill comic series takes a while to get going, but hits a dark-fantasy stride by the end.
Oz Perkins’ latest, unceremoniously dumped into January, is a revisionist Grimm story as atmospheric as it is thin.
Joe Begos’ wild, gore-soaked drug trip of a vampire flick is not for the faint of heart.