Peter Weir’s mostly forgotten drama about survivor’s guilt is an uncynical light in the darkness of mental illness. […]
filmmaker of the month
Wes Anderson took stop-motion animation to another level in a charming story of friendship & adventure.
One of the Master of Suspense’s best is a darkly romantic take on patriotism & patriarchy.
This month, we go off the beaten path and ask contributors to write about films they’re thankful they got to experience for one reason or another.
Scorsese recovered from the brutal conditions of Gangs of New York with an intimate, tragic portrait of the foibles of genius.
Martin Scorsese’s hip, vibrant concert film The Last Waltz captures the ephemerality of The Band and its influence on the rock ‘n roll stage.
Martin Scorsese’s 2002 historical drama is big, brassy and full of great performances, but its runtime and tone leave it unfocused.
Martin Scorsese’s scintillating period romance is a Victorian treatise on the sufficating gulf between desire and decorum.
Martin Scorsese’s underrated gangster drama Casino depicts Sin City as a place where dreams & nightmares are one, & no heroes are to be found.
An analysis of Goodfellas’ cinema redefining single take tracking shot.
A look at Martin Scorsese’s misguided musical, and the underestimation of camp.
It’s Newman and Cruise’s picture first, but Scorsese’s work on it is still a pleasure.
Martin Scorsese’s black comedy about one hellish night offers a trapped in amber portrait of 80s New York […]
One of the inspirations behind Joker takes a funny but more chilling approach to the angry white man […]
Martin Scorsese’s gritty drama about twisted loyalty to friends, family & God remains one of his strongest films. […]
Bernard Herrmann’s iconic score is a supporting character in Martin Scorsese’s drama about a dangerous loner.
This month, we celebrate The Irishman by looking back on the works of one of New Hollywood’s most enduring voices.
While much of the final cut works, earlier versions of the script went to deeper & scarier places.
