Try as he might, Philip Seymour Hoffman can’t lend enough sleaze to Brett Ratner’s Hannibal Lecter sequel to make it feel less like a bland retread.
edward norton
Philip Seymour Hoffman lends remarkable texture to Spike Lee’s 25th Hour, a film in mourning over New York and the fleeting nature of being.
A riveting portraint of post-9/11 New York City, Spike Lee’s scintillating crime drama is one of his most intriguing explorations.
A look back at the movie that inadvertently launched a toxic movement & the TV series that better understood postmodern pain.