It’s dumb as a box of rocks, but Adam Wingard’s addition to the American-produced MonsterVerse hits its spectacle sweet spots.
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Robin Wright makes her directorial debut in a tender & understated drama about a woman who isolates herself from the world after an unimaginable loss.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
The otherwise-spotty Hateful Eight still contains one of Tarantino’s greatest sequences.