Garret Price processes the untimely death of Anton Yelchin through an intimate look at the actor’s mind, process, and struggles.
cinema
Quentin Tarantino’s blood-soaked WWII film lets him turn the camera around on the audience and interrogate his own violent oeuvre.
With his ninth film coming out this month, we look back on the indie titan and his deeply metatextual approach to cinema.
As self-reflective as it is starkly modernist, Pedro Almodóvar’s latest is navel gazing at its finest.
Whether on the cinema of New York, Wes Anderson, or creatures of the night, the venerable film magazine has you covered.
More than just its gimmicky 59-minute 3D long shot, Bi Gan’s dreamlike drama is a delightfully challenging, exhilarating work of cinema.
A pioneering work of Black Queer Cinema, Cheryl Dunye’s vibrant “Dunye-mentary” reckons with traditional queer narratives and the racism of Old Hollywood.
Danielle MacDonald charms in Netflix’s pageant dramedy.
Try as they might, even genre giants like Ron Perlman and Famke Jannsen can’t elevate this dull, by-the-numbers […]
Director Daniel Goldhaber and screenwriter Isa Mazzei explore the complexities of online sex work with a fascinating thriller […]
Yorgos Lanthimos’ latest is a droll, hilarious dramedy about the challenges of female power and competition, with three […]
Miles Morales gets the big-screen treatment he deserves, an aesthetically vibrant, action-packed story that might just be one […]
As adorable and poignant as the first, Disney Animation Studios crafts a Wreck-It Ralph sequel that’s as much […]
The Coen brothers return to the Old West for a darkly comic anthology of six stories of doomed […]
Netflix continues its encroachment into the Hallmark Christmas movie game with a treacly kid’s flick elevated greatly by […]
Steve McQueen’s ambitious, female-driven crime film sports fabulous performances, but bounces haphazardly between tones. This piece was originally […]
Despite a stellar cast and some good intentions, Jason Reitman’s political drama about the rise of the tabloid […]
