The once-controversial story of “liberal elites” hunting people for sport has a provocative premise, but it’s far less than the sum of its parts.
The temporary shutdown of public life that’s happening amid global coronavirus conditions has led to a standstill at the box office.
A $29 million take spells success for the low-budget Universal horror film, proof that the Blumhouse model works.
Leigh Whannell’s follow-up to Upgrade is a chilling, Hitchcockian thriller about the ways trauma follows us around.
Octavia Spencer reunites with the director of The Help, and this time she’s serving worse things than a “chocolate pie”.
Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.
Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. […]
This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be […]
The latest microbudget spook-em-up from Blumhouse Productions is long on dares and short on scares. This piece was […]