Antoine Fuqua directs Mark Wahlberg in a tired load of action nonsense.
With his 2001 epic, Michael Bay solidified himself as an all-American auteur, as well as the bombastic concept of Bayhem.
Now 10 years old, Adam McKay’s screwball screed against Wall Street is hindered by being a cop-centric affair.
Hanna-Barbera gives Scooby-Doo a superpowered reboot and loses most of its charm along the way.
Peter Berg and Mark Wahlberg’s latest exercise in macho posturing is both aesthetically and thematically ugly.
Jonathan Demme’s remake of Charade marks a low point in his career from casting and acting to pacing and direction.