Philip Seymour Hoffman does his level best to elevate Anthony Minghella’s Oscar-friendly Miramax Western, but even he can’t save it.
It’s good, but Anthony Minghella’s 1999 adaptation really comes alive when Philip Seymour Hoffman’s scumbag enters the picture.
Gus Van Sant’s Oscar-winning character drama is a safe, middlebrow nuts-and-bolts picture as formative as it is uncreative for the filmmaker.
Kitty Green’s latest incisively explores the systems that protect predators, resulting in something more than a simple Weinstein allegory.
With his ninth film coming out this month, we look back on the indie titan and his deeply metatextual approach to cinema.