A tribute to one of the greatest icons in movie history.
70s
Eddie Murphy is back, baby, in this groovy, uproarious take on the gonzo career of Rudy Ray Moore. […]
Todd Phillips’ seedy, 3edgy5me imagining of the Clown Prince of Crime is as artfully made as it is disturbingly retrograde.
Jane Campion’s Janet Frame biopic, a trilogy of fables from Abbas Kiarostami, and one of Ozu’s lesser-known melodramas fill Criterion’s August slate.
David Fincher’s haunting, revolutionary Netflix show returns for a sophomore glimpse into the dark core of the American soul.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
The David Crosby-centric doc proves most effective when it embraces the rock-infused messiness of the man’s life and career.
Race, control, and patriarchy reign in July’s offerings from Criterion.
With his ninth film coming out this month, we look back on the indie titan and his deeply metatextual approach to cinema.
The ostensibly classy Conjuring series turns into a predictable haunted-house spookfest.
Ron Howard returns to accessible but fluffy music docs with this hagiography of the iconic opera tenor.
We chat with the creator of the podcast series Blockbuster about dramatizing the early creative partnership of Steven Spielberg and George Lucas
Barry Jenkins’ sensitive, lyrical adaptation of James Baldwin’s novel is one of the year’s best, most tragic romances.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]
This piece was originally posted on Alcohollywood Let me rephrase that right from the beginning. This list really […]
