Five years on, the sequel to the seminal dude-dancing movie remains a feminist celebration of desire.
George Miller’s post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
With production issues and a shift in the franchise’s creative team, Joss Whedon’s final MCU entry has just enough to work.
Jonathan Demme’s final film is a flawed, fascinating time capsule into Obama-era politics.
While Skyfall was a rousing success, Mendes’ return to the Bond franchise, bogs itself down in tiresome lore and continuity.
The otherwise-spotty Hateful Eight still contains one of Tarantino’s greatest sequences.
The Wachowskis’ last theatrical film to date — a space opera with Channing Tatum as a roller-skating wolf man — is one of their most ambitiously corny efforts yet.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the […]