Reviews (Page 153)

All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

This piece was originally posted on Alcohollywood (This review and interview originally ran as part of On Tap’s previous run as its own separate feed. We’re re-running it here in conjunction with All the Queen’s Horses’ release on Netflix.) This week for our On Tap minisode, Clint discusses the new indie doc from Kartemquin, All the ... All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut

Boots Riley’s wild feature film debut throws racial politics, consumerism, and magical realism in a blender, making for a comedy that’s as unpredictable as it is hilarious. This piece was originally posted on Alcohollywood Capitalism is a hell of a drug – it lulls you in with the promise of wealth and success, and all ... Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut

Unraveling pop-culture one thread at a time
The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping

We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. This piece was originally posted on Alcohollywood Arthouse queer enfant terrible Bruce LaBruce has crafted an interesting career as an underground director of gory, sexy, splatter-ific screeds on radical topics like terrorism, feminism, and gay ... INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping

The Misandrists Review: Bawdy, Transgressive Satire from Bruce LaBruce

Bruce LaBruce’s reputation as a bad-taste provocateur gleefully continues with this campy exercise in sex, sleaze, and political satire. This piece was originally published on Alcohollywood A transgressive artist’s main job should be to make people uncomfortable, and director Bruce LaBruce does his job very well. For over thirty years, LaBruce has been mixing art ... The Misandrists Review: Bawdy, Transgressive Satire from Bruce LaBruce

La Enfermedad del Domingo: Entrevista con Ramón Salazar (Español)

This piece was originally posted on Alcohollywood (You can find an English-language version of the interview here. Read our review of the film here.) La Enfermedad del Domingo es diferente a cualquier película que hayas hecho hasta la fecha. ¿De dónde vino la inspiración? La inspiración para la película debería ser Susi Sánchez, con quien trabajé ... La Enfermedad del Domingo: Entrevista con Ramón Salazar (Español)

Sunday’s Illness: Ramon Salazar on Creating Female-Driven Stories (English)

We sit down to talk to Sunday’s Illness director Ramón Salazar about the creation of the film and the importance of telling women’s stories. This piece was originally posted on Alcohollywood (Una versión en español de la entrevista se puede encontrar aquí. Read our review of the film here.) Sunday’s Illness is unlike any film ... Sunday’s Illness: Ramon Salazar on Creating Female-Driven Stories (English)

Sunday’s Illness Review: Netflix’s Elegant, Stately Mother-Daughter Drama

Ramón Salazar’s direct-to-Netflix Spanish drama is a heartfelt exploration of the tenuous bonds between mother and daughter, anchored by sumptuous filmmaking. This piece was originally posted on Alcohollywood (You can read our interview with Salazar – in both English en español – here.) For most people, their most powerful relationship is the one they’ve had since ... Sunday’s Illness Review: Netflix’s Elegant, Stately Mother-Daughter Drama

Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff

Drew Pearce’s pulpy near-future potboiler about a futuristic hotel/hospital for bad guys lets its stacked cast have fun amongst some shaky plotting. This piece was originally posted on Alcohollywood Grungy, retro sci-fi seems to be making a comeback the last few years – cyberpunk potboilers whose scripts wouldn’t be out of place in a direct-to-video ... Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff

Ocean’s 8 Review: Female-Forward Heist Antics Don’t Cover A Lack of Depth

Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to do, despite the cast’s pedigree. This piece was originally posted on Alcohollywood Certain movies bring out a strong reaction in me not just because I happen to disagree with their values, but because they claim to represent ... Ocean’s 8 Review: Female-Forward Heist Antics Don’t Cover A Lack of Depth

INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade.  After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

On Chesil Beach Review: A Picturesque Tale of a Broken Honeymoon

Dominic Cooke’s sumptuous adaptation of the Ian McEwan novel tells the tale of a marriage doomed from the start, using luscious photography and brilliant performances from Saiorse Ronan and Billy Howle. This piece was originally posted on Alcohollywood This film played at the 6th annual Chicago Critics Film Festival – read our capsule review here.  ... On Chesil Beach Review: A Picturesque Tale of a Broken Honeymoon