Francis Lee’s tender, heartfelt debut film is as sweet a love story as you’ll ever see, bolstered by two terrific young performances and Lee’s sensitive, deliberate script. This piece was originally posted on Alcohollywood In a year (and awards season) where Luca Guadagnino’s lovely Call Me By Your Name fills the ‘queer love story’ quota ... REVIEW: God’s Own Country
Jack C. Newell’s fly-on-the-wall doc about a Chicago chef on the rise effortlessly blends haute cuisine food porn with a tale of chef as temperamental artist. This piece was originally posted on Alcohollywood Four years ago, Jake Bickelhaupt was just an up-and-coming chef running an illegal restaurant, Sous Rising, out of the Chicago apartment he ... REVIEW: 42 Grams
Brian Taylor’s devious intergenerational murder-comedy is just as crazy as the delightfully wacko Nicolas Cage performance at its center. This piece was originally posted on Alcohollywood Nicolas Cage is an acting maniac by more than one definition – he takes on so many projects you’d think he had a castle to pay off (spoiler: he ... REVIEW: Mom and Dad
Despite an assured and confident lead performance from Annette Bening, this treacly biopic of Gloria Grahame’s final days offers little true insight. This piece was originally posted on Alcohollywood With awards season dying down, it’s time for the also-rans. January and February are known as ‘dump months,’ the time of the year where studios dump ... REVIEW: Film Stars Don’t Die in Liverpool
Paul King’s delightful, charming followup to the first Paddington is a lovely ode to family, friendship, ingenuity – and, of course, marmalade. This piece was originally posted on Alcohollywood In a world where Minions and Lightning McQueen dominate the attention of most children in America, it’s lamentable that Paddington isn’t more of a thing here. ... REVIEW: Paddington 2
This piece was originally posted on Alcohollywood Paul Thomas Anderson’s sumptuous, elegant psychodrama about fashion, obsession and ego (allegedly) gives Daniel Day-Lewis’ career a fitting swan song. Reynolds Woodcock (Daniel Day-Lewis) is a man of routine, head of one of the great haute couture houses in 1950s London. His life is as immaculately controlled and ... REVIEW: Phantom Thread
This piece was originally posted on Alcohollywood Now that awards season is around the corner, everyone’s talking about their top ten films of this past year. With so many smart, insightful critics putting out lists that look very similar to mine, I thought I’d do something different. Enough people have rightly piled on the praise ... Our Next Top 10 Films of 2017
Scott Cooper’s nihilistic acid Western is as self-serious as it is unrelentingly brutal, for both good and ill. This piece was originally posted on Alcohollywood The Western is a genre rife for deconstruction, particularly as the real-life horrors of its era become more of a universally accepted truth. The Golden Age gave us heroic white ... REVIEW: Hostiles
Karen Lynn Weinberg’s intriguing, powerful doc emphasizes the vital link between language, culture and well-being. This piece was originally posted on Alcohollywood The history of America is replete with historical traumas. Whether it’s the Trail of Tears, or forced assimilation of Native Americans into the English-speaking, Christian cultures of their colonizers, many tribes still struggle ... REVIEW: Keep Talking