Joel Schumacher’s 1990 foray into psychological horror wasn’t just a look at mortality, but also a meditation on what lie on the other side.
The heartthrob swaggers across the globe in full Daddy mode in Netflix’s latest bit of disposable travel-doc fluff.
Václav Marhoul’s three-hour WW2 fable is a brutal film tied up a bit too rigidly in its meticulous depictions of violence.
Joel Schumacher’s second John Grisham adaptation is a myopic look at race and the criminal justice system in the American South.
Joel Schumacher’s ninth feature adapts John Grisham’s usual action nonsense with depth & sensitivity.
Peacock’s loose adaptation of Aldous Huxley’s classic looks nice, but is empty under the surface.
The Friends alum returns to television with a smart, if disposable, slacker-spy comedy.
A puzzle of a thriller, Sidney Lumet’s final film slides its script and performances together with ease.
The first half of the first season comes with a reckoning for E.B. and Perry building a wild theory for the death of George Gannon.
Frank Cottrell Boyce’s directorial debut is an unfocused mix of family estrangement and Andersonian kitsch.NOW STREAMING: Powered by […]
Apple TV+’s latest kids series is a cloying, over-familiar teen show that tries a little too hard to be hip.
Natalie Erika James’ feature debut mixes loneliness, intimacy, and a strong Bella Heathcote performance to disconcerting effect.
Drive-in theaters are experiencing a strange resurgence, now that coronavirus has rendered the traditional theater experience impossible.
Lawrence Kasdan’s 1985 throwback Western is overstuffed, but 35 years later boasts loads of charm.
Gina Prince-Bythewood’s nuanced, layered comic book actioner finds character among its expert choreography.
Andrew Lawrence’s action-comedy heist film is somehow both better, and far worse than you can imagine.
The Ross brothers’ staged documentary about a closing Las Vegas bar tries to blend mediums but borders on exploitation instead.
Joel Schumacher’s fun, stylish take on teen vampires both ushered in “MTV horror” & acknowledged young female horror fans.