Hulu’s high brow suburban soap opera features compelling performances, but leaves the viewer cold.
We reflect on the recently-departed actor and his greatest, and most challenging, creative partner.
Alex Lee Moyer’s documentary on the rise of incels doesn’t quite unlock what makes them so angry and dissatisfied.
Karen Bernstein’s doc about the gender-fluid journey of Brian Belovitch is a deep well of empathy.
The temporary shutdown of public life that’s happening amid global coronavirus conditions has led to a standstill at the box office.
HBO’s robot-revolution series reinvents itself and throws Aaron Paul into the mix.
Billie Piper makes waves with a visually stunning, but dramatically inert directorial debut.
With a quietly assured lead and a keen sense of rhythm, Jessie Barr’s debut feature announces the writer/director as a talent to watch.
Disney+’s adaptation of the Jerry Spinelli novel is tooth-achingly twee.
Lynn Chen’s debut is an achingly honest tale of lost time and potential.
India’s “first spaceship movie” is a languid, but occasionally thoughtful sci-fi dramedy about the bureaucracy of death.
Mary Mazzio’s inspirational sports doc is as empowering as it is occasionally muddled.
Black cinema (and American cinema as a whole) hasn’t been the same since the release of Spike Lee’s revolutionary New York drama.
One of Spike Lee’s most underrated films depicts a New York in which the more things change, the more racism stays the same.
Spike Lee’s biopic of the civil rights firebrand was a gripping, unforgettable cry of black rage and pain.
Madeline Wuntch haunts the Nine-Nine from beyond the grave.
Vin Diesel nicely keys into more stoic shootouts, but the movie around him can’t weld together its medley of genre inspirations.
Netflix’s latest overstuffed fantasy adaptation is a challenge for viewers’ time & patience.