Day 6 of our Sundance coverage sees a wide gulf in quality, with a stunning doc about the Apollo 11 mission and a stunted dark corporate comedy.
On the podcast, RIchard Dreyfuss talks about his career and love of civics, plus two exciting young composers talk about their latest entries in Sundance.
Two insightful docs about the pitfalls of modern technology pair with a tepid Adam Driver-led political drama and Tim-and-Eric-style comedy at Sundance.
Chelsea Peretti is front and center in Brooklyn Nine-Nine‘s best episode of the season. Looks like I jumped the […]
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
Claire and Isaac consider a relationship in a sweet, grounded romance story for The Orville.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
Day 2 of our Sundance coverage covers comedies starring Jillian Bell and Pete Davidson, and a tepid political thriller starring Keira Knightley.
From droll Heathers homages to docs about pioneering female sailors, Matt Cipolla breaks down his first day at Sundance.
FOX’s live production of Rent was marred by well-intentioned miscasting and the last-minute injury of an actor, making most of the night decidedly un-live.
Netflix’s fly-on-the-wall Japanese reality show is a heartwarming, intimate alternative to cutthroat reality competitions.
For the latest interview podcast, Clint talks to the filmmakers behind Netflix’s Polar, and the director of a […]
Brooklyn Nine-Nine says goodbye to Gina Linetti in a thoroughly solid sendoff for Chelsea Peretti, even if the B-plots suffer a bit.
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.
The Orville crew butt heads with a world that shuns people based on their Zodiac sign, in a premise straight out of Star Trek: The Next Generation.
Ugly, juvenile, and drop-dead boring, Netflix’s comic book adaptation might be the running for worst of the year.
Netflix’s latest sci-fi drama is as lifeless as the polluted future Earth of its setting.