Perry Mason finally heads to the courtroom and starts picking up the pace.
Despite its future A-list cast & spooky atmosphere, “Blood Creek” is an incoherent misstep for the versatile director.
Inexcusably long but otherwise harmless, the sequel to Netflix’s hit teen romcom offers more comforting fluff.
Joel Schumacher inexplicably drained Andrew Lloyd Webber’s legendary Broadway musical of every bit of its camp and queerness.
Marjane Satrapi’s biopic of Marie Curie can’t cure what ails you, even with a strong Rosamund Pike turn at the center.
Romola Garai’s directorial debut, Amulet, aims to mix body horror and feminist storytelling but instead feels like a short film stretched to feature length.
With loss of control dressed up in nutty numerology, Joel Schumacher’s 2007 thriller is a flawed thematic tie-in to his other work.
Indonesian horror maestro Joko Anwar returns for another piece of chilling, atmospheric folklore.
Joel Schumacher’s cracked tableau of New York City’s shifts at the turn of the millennium remains a time capsule in the guise of a neo-noir.
Dave Franco kicks off his directorial career with an atmospheric if aimless vacation-thriller co-written by Joe Swanberg.NOW STREAMING: […]
Joel Schumacher’s sensitive wartime drama gives the world Colin Farrell and explores the painful tribulations of young men waiting for war.
1991’s Scent of a Woman remains one of the most baffling recipients of Oscar gold, a prep-school drama lifted only by an early Philip Seymour Hoffman turn.
Perry finally puts on his legal hat more than halfway through the season in another episode struggling through filler.
Netflix’s latest reality show is a heartwarming, trailblazing ode to neurodivergent romance.
Season 2 of TNT’s Victorian era crime thriller turns the spotlight on Dakota Fanning & an eerie plot about kidnapped infants.
Joel Schumacher’s second go at the Batman franchise has its undeniable charms, but relied too much on tired stereotypes.
From Rodney King to Donald Trump, Michael Douglas’ D-FENS remains the pluperfect case study for white grievance politics.
Joel Schumacher’s sleazy, sweaty neo-noir of porn and pain remains a bizarre artifact for the director’s filmography, and it hasn’t lost its bite.