Philip Seymour Hoffman plays a selfish ex in this Hope Davis-led indie romance.
Netflix’s latest is a charming, if tonally confused, young adult series about a mother-daughter duo starting over.
Andra Day shines in Lee Daniels’ otherwise-messy biopic about the Black cultural icon, squandering some fine potential.
Amazon Prime’s latest series tries for gritty crime thriller, but ends up in unintentional camp territory.
Netflix’s documentary about the soccer superstar is serviceable, but says nothing you haven’t heard before.
Philip Koch’s post-apocalyptic series gives us teens, tropes, and teases galore, finding glimmers of potential even as it hews creakily to formula.
Ed Helms and Patti Harrison charm in Nikole Beckwith’s refreshing, pleasurable dramedy.
Russell T. Davies’ miniseries that almost wasn’t is a harrowing and effective look at the joy and pain of coming of age in 1980s London.
Despite the magnetism of its star/subject, Young Rock ends up little more than a sweet lesson of the week half hour.
Amazon’s “Groundhog Day” for teens tries its best, but goes too heavy on metaphors instead of plot.
Netflix’s adaptation of the bestselling psychological thriller starts out on steady footing, but quickly loses its way.
Is it possible to find something good about Dan Aykroyd’s legendary horror/comedy bomb?
The composer discusses the film’s long road to release, and the airiness of his score to Lee Isaac Chung’s mesmerizing drama.
Philip Seymour Hoffman’s first lead role is a one-man show of raw human emotion.
While the first movie in the series was stylish & unexpectedly moving, it was tainted by cheap, empty sequels that forgot what made it special.
Starz’s sweeping historical drama is a treat for the eyes, but doesn’t have much going on beyond that.
Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.
Owen Wilson and Salma Hayek are certainly giving it their all in this frantic and sloppy simulation from Amazon Studios.